Cezanne
Cezanne was born at Aix-en-Provence in the south of France on January 19, 1839. Cezanne developed artistic interests at an early age. His father was a common laborer then became a hatter and, eventually, a successful wealthy banker. He had high expectations for Paul and would never fully accept the notion of his son becoming an artist. Sadly, his father died before realizing the extraordinary accomplishments his son had achieved. He went to school in Aix, forming a close childhood friendship with the future novelist Emile Zola. From 1852 to 1858, young Cezanne studied humanities at the College Bourbon in Aix. Cezanne pursued his education, studying law in Aix from 1859 to 1861; however, his interest and love for the arts would not subside and he continued attending drawing classes. Although Cezanne knew he was going against his father's wishes, he would not be detoured from his dream. Therefore, in 1861, he told his father that he was going to be an artist; furthermore, he was going to join Zola in Paris. His father's never really approved of his decision but eventually agreed to give him financial support. Later, Cezanne received an inheritance
He looked out across the valley from his studio and painted the famous Mont Sainte-Victoire. He would paint still life paintings of everyday existences such as apples, statuary, and tablecloths. Cezanne's life was one of isolation; he had few friends and rarely exhibited his work. Although Cezanne lived his entire life almost isolated within his own world and somewhat of an outcast even in his own family, maybe he did long for companionship. The light is too significant to be the dawn of a new morning or the dusk of a fallen night. The years from 1865 to 1870 are often regarded as Cezanne's early romantic period. He met Camille Pissarro, with whom he painted outside Paris at Auvers, and through her became a part of the impressionist group. Cezanne left future generations and ours with more than 950 oil paintings and nearly 650 watercolor works of art. Women bathers are usually presented in large pyramidal groups, overlapping, mostly with their backs to the viewer. which further allowed him to study and work in Paris somewhat comfortably. The subjects appeared in a group setting, yet somehow, each was an individual. From 1864 to 1869, he submitted his work to the official SALON, but the pieces were continually rejected. He ventured beyond their interests in the individual brushstroke and the fall of light onto objects, to create, in his words, ``something more solid and durable, like the art of the museums. He is often referred to as the father of modern art.
Common topics in this essay:
House Hanged,
Impressionist Gallery,
Zola Paris,
Paul Cezanne,
Aix Cezanne,
France January,
Paris Auvers,
Mont Sainte-Victoire,
Card Players,
Fauves Cubists,
aix cezanne,
paul cezanne,
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Acceptance Essays
