Sundiata
The epic of Sundiata begins with the introduction of the griot, and narrator Mamadu Kouyate. Throughout the epic, the importance of the griot is stressed numerous times. When speaking of griots Mamadu Kouyate states that, "we are the repositories which harbor secrets many centuries old. The art of eloquence has no secrets for us; without us the names of kings would vanish into oblivion, we are the memory of mankind..." (Niane). It was through oral reciting that the epic was passed along for generations. Though in today's society, information has taken on new mediums, it is just as important to the culture of today as it was to the culture of the Mandingo . Cultures change, but many of the things that comprise them remain constant. One of the elements of culture that has changed very little in value is religion. One can derive from the epic the importance of religion to the people of the Keita Dynasty . Specifically, the religions of Islam and Traditional African Religion are alluded to throughout the epic. In one of the first references to the Islamic religion Sogolon Kedjon, Sundiata's mother, states that "the fortified town of Sosso was the bulwark of fetishism against the word of A
This might help to explain why Islam is alluded to so late in the epic, whereas traditional African religious themes are recurrent throughout the epic. One cannot help but to be impressed with the strength of Sundiata and his people. The culture of old Mali has now since passed away. The Mandingo people also marveled at Sundiata's ability to hunt and his prowess in battle. Many of the ideals in the epic can still be identified with in today's culture. Sundiata even goes far enough to say that, "`a woman trembles before a man'" (Niane 32). The timeless themes of adventure and conquest are what capture one's interest even today in the mediums of movies and televisions. The narrator does not allow one to forget the ever important role that destiny plays in the story. Gender roles play a large part in The Epic of Sundiata. Previous to this statement thought, the reader is bombarded with illusions of sorcery, witchcraft and prophets. When her weak brother, Dankaran Touman gave her to Soumaoro, the nefarious conqueror against whom Sundiata was fighting, she outwitted him by gaining his confidence and exploiting it.
Common topics in this essay:
Epic Sundiata,
Sundiata Keita,
Kon Fatta,
Allah Niane,
Mamadu Kouyate,
Wagadu Roth,
Religion Mali,
Women Islamic,
Touman Soumaoro,
Mandingo Cultures,
epic sundiata,
throughout epic,
traditional african,
traditional african religion,
late epic,
rule mansa,
african religion,
physical strength,
nationalistic feelings,
strength woman,
rule mansa kankan,
mansa kankan musa,
culture mali,
|