Van Gogh's The Night Cafe (Descriptive Paper)
Countless artists throughout history have had to overcome unfortunate financial circumstances by literally painting for food. Vincent Van Gogh is historically documented as perpetually being that type of artist. Having only sold one painting for money his entire life, Van Gogh often supplied his debt collectors with personalized art in trade. Having to paint with such financial pressure bearing down did not prevent Van Gogh from letting his opinions be told. In his painting The Night Cafe in the Place Lamartine in Arles, Vincent Van Gogh buried his own personal symbolism deep within the paintings walls.The focal point of this cheerless painting is an almost empty billiard table. The table is crowned with only two ordinary white billiard balls and an unpretentious pool stick lying vertically across the right side of the table. Placed in the center of what appears to be an ostracized bar of some sort, the bleak green color of the table casts a titanic shadow across the room. The table's slanted silhouette engulfs the majority of the establishment's bright yellow floors. The distasteful floor has a wooden grain appearance and has hints of green highlights intertwined in the timber. Immediately to the right of the table stands a
To the right, another table has two gentlemen slouched over in a conspiratorial way, perhaps in deep conversation or seeking isolation. The letter was written to his brother Theo, in Arles, September 8, 1888. " He continues to describe his choices of color contrast by saying, "The room is blood red and dark yellow with a green billiard table in the middle; there are four lemon-yellow lamps with a glow of orange and green. Each table has bottles of wine on them and empty glasses. He lingers awkwardly beside the table with his hands in his pockets. Four huge yellow lamps hang down like dangling spiders with a circumference of several radiant light beams of yellow and green. Its football turf characteristics seem to reflect like a mirror into the billiard table below. These beams emit a light source as does the sun through squinted eyes. Van Gogh describes a request for several paintings from the shopkeeper which he had to stay up for days completing. He is wearing all white garments like a doctor ready for open-heart surgery. The other man has his hand on the side of his mostly concealed face. The walls all contain a full waist high chair guard in bronzing yellow. Sitting at the final table in the corner of the left wall and the back of the area is a couple. The ceiling high above is the color of green, spring grass. He is wearing a cowboy type hat and is meagerly dressed.
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