Chorus line
On May 21, 1975, a spectacular new Broadway musical opened. The musical was unique because it told the stories of the dancers in the show rather than letting the audience just watch the dancers perform. A Chorus Line, a musical by Michael Bennett, was very popular when it made its day view and continues to be shown today to marvel its audience. Michael Bennett's inspiration for the idea to put together A Chorus Line came mostly out of frustration of the society he lived in the 1970's. In Bennett's eyes the Watergate conflict brought out the falsehood and deceit in America. Bennett wanted to see the truth on stage and to say something positive about his country, which at the time was suffering a severe questioning of its values. Growing up, Bennett loved to go and watch Broadway shows. He had noticed that the quality of the shows had gone down due to economic changes in America. Bennett's real love was to dance on stage. Along with many other dancing hopefuls, he felt the frustration of a dancer trying to succeed. Bennett understood that through a whole dancer's life maximum effort in his or her dancing career had to put forth. He also knew that the no one had been affected more th
He decided he wanted to cast A Chorus Line and put it into rehearsal before it was written. The show was put on without an intermission so as to place the audience in a "real" dance audition to make it feel what the dancers on stage are feeling. All the dancers also expressed to Michael how dancing had changed their lives, giving them a sense of belonging. " All these musical numbers reflected the dancers anxieties about getting the role in the musical or their experiences of growing up. On January 18, 1974 Bennett and eighteen dancers gathered at The Nicolas Exercise center on East Twenty Third Street in Manhattan. When the show opened on Broadway in 1975, it turned immediately into big hit because it was so different from most Broadway shows. Bennett thought that the general public viewing Broadway shows had a distorted perception of the dancers on stage. Hamlisch had won four Grammy Awards. Bennett quoted, " Dancers kill themselves in a show, they are always the low man on the totem pole. He wanted to convey what each dancer was feeling without having them directly tell the audience verbally. Later on, Michael would hire James Kirkwood to collaborate with Nicolas Dante to write the musical. Every character in the musical had a different story, such as Paul's story of growing up gay, taken after the real story of Dante.
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