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The rise of Ludwig van Beethoven into the ranks of history's greatest composers was paralleled by and in some ways a consequence of his own personal tragedy and despair. Beginning in the late 1790's, the increasing buzzing and humming in his ears sent Beethoven into a panic, searching for a cure from doctor to doctor. By October 1802 he had written the Heiligenstadt Testament confessing the certainty of his growing deafness, his consequent despair, and suicidal considerations. Yet, despite the personal tragedy caused by the "infirmity in the one sense which ought to be more perfect in [him] than in others, a sense which [he] once possessed in the highest perfection, a perfection such as few in [his] profession enjoy," it also served as a motivating force in that it challenged him to try and conquer the fate that was handed him. He would not surrender to that "jealous demon, my wretched health" before proving to himself and the world the extent of his skill. Thus, faced with su! ch great impending loss, Beethov en, keeping faith in his art and ability, states in his Heiligenstadt Testament a promise of his greatness yet to be proven in the development of his heroic style.
The composer sets himself up as the tragic hero-"my heart and soul have been full of the tender feeling of good will, and I was ever inclined to accomplish great things"-withdrawn from the company of men, tortured by his growing deafness, tempted with thoughts of suicide, overcoming despair by the pure strength of faith in his own music, s! earching for "but one day of pur e joy. " The Heiligenstadt Testament is a prophecy of the greatness to come of Ludwig van Beethoven. There seems to be no more that he can do with the high-Classic style; his deafness seems poise! d inevitably to encumber and ult imately halt his musical career. Having displayed the extended range of his piano writing he was also begining to forge a new voice for the violin. So I endured this wretched existence. Thus, faced with su! ch great impending loss, Beethov en, keeping faith in his art and ability, states in his Heiligenstadt Testament a promise of his greatness yet to be proven in the development of his heroic style. Ah, it seemed to me impossible to leave the world until I had brough forth all that I felt was within me. Come when thou wilt, I shall meet thee bravely. The Testament thus is likened to a funeral work. In addition, his sonatas for violin and piano became the cornerstone of the sonata duo repertory. Beethoven recreates himself in a new guise, self-sufficient and heroic. Beginning in the late 1790's, the increasing buzzing and humming in his ears sent Beethoven into a panic, searching for a cure from doctor to doctor.
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