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RESTRAINT AS A PLOT IN CONRAD'S HEART OF DARKNESS

In Conrad's Heart of Darkness, restraint as an underlying theme shows "civilized" man's mentality. Restraint is what holds oneself together. The capability to suppress one's own actions is the aptitude to control one's mind. The white men deep in the "Heart of Darkness" lose all restraint in their desire to find ivory to fulfill their greed. All the natives believe that the white man actually wants to help out of the good of his heart, not that he is filled with greed. As Marlow travels on, he realizes that only the natives have restraint and respect. The white man takes what he wants with no respect. Marlow's narrative shows his regret for being part of the "civilized," constraintless society, in which he lives. This nineteenth century political novel allows people today to see how irrational the civilization attempts of the white Europeans are. The imperialist monarchs of the time send their explorers into the untamed wilderness, to utterly, unnecessarily,! and profusely change the natives of the area. Conrad conveys the ideal that if everyone could restrain oneself, the world would be much more fluent and copious. Marlow's restraint arises from his need to take care of the boat. The Russian's restraint ha


Marlow feels an unbearable guilt for the loss of the helm!sman. Nevertheless, clearly, as is demonstrated in the destruction of Kurtz. It is possible that our id-like animal self can become dominant, commanding, self-indulgent and all destructive. In addition, if our bodies are wracked with the distracting pain of illness - in Kurtz's case, malaria - and if there is no daily work to keep one restrained. The cannibals restrain themselves in an effort to change to better their mind, their body, their attempt to civilize and their country itself. As the helmsman dies in his arms, Marlow can feel the damage the white man has done. Conrad's novel describes how the nineteenth century imperialist went deep into the "Heart of Darkness" in search of ivory. There are three very good places to find some raw material upon which to base this analysis: Marlow's thoughts about how his helmsman's lack of restraint got him killed during the native attack on the steamboat as it is going up river to Kurtz, Marlow's thoughts when he realizes that the cannibal woodcutters are hungry yet won't attack the passengers on the boat, and Marlow's thoughts about what happened to Kurtz when he was freed of the restraints of civilization. He is a tyrant in that native land, and he never realizes that fact. Restraint plays such a versatile role in! Conrad's novel to display the political edge no white man saw. Respect in many ways: for himself, for the white man, and also for the natives. He hates that his life is so unbound. In his malarial state, Marlow hopes they find him worthy of their consumption! They certainly appear to be a specific tacit condemnation of Kurtz. As the yawl continues, they are attacked by Kurtz's natives, Marlow looks at his helmsman. Marlow seems be bothered most by the lack of restraint by his helmsman.

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