Paleolithic Cave Paintings.
Periods when early hunters and food gatheres moved into caves came an explosion of artistic expression. Early man developed a sense for the need to record aspects of his life on walls in the security of his own surroundings.These times offered great opportunities for one to derive a complex set of styles in which he was able to relate his life, the influencial factors upon which affected his behaviour, on cave walls. Brought about through long periods of trial and error, one in particular, Paleolithic art, for drawing, an artist used chunks of yellow and red ocher. For painting these ochers were ground into powders that they blew onto the walls or mixed with some medium, such as animal fat bef
These were all religously carved into the walls in order for a sense of security, their way of expressing their learnings like the scripts of our modern day bible, maybe for a sense of security, a sense of belonging. Solemnly majestic they were amazing considering the primitivness of there equipment thus making them true artists. Questions like "what should be my subject?" and "How shall I represent it?" arose. The artist used stone scrapers to smoothen walls and sharp flint points for engraving and this showed off his incredible logic of mechanical reasoning. These paintings were so lifelike due to there two dimensional and at times three dimensional look. In some cases recesses cut into the rock walls seven or more feet above the floor must have held joists for a scaffolding that could support a platform made of saplings lashed together. All in all, these great goemetrical prehistoric ingeniated works of art were an expression to the eyes of the beeholder. In the case of paliothelic art it was bison, mammoth, ibex and horse among the most common as these were some of the most influencial factors concerning their survival during such harsh conditions giving their paintings a naturalistic theme. In other cases bison as depicted on the cieliings of caaves were given an illusion that they were almost floating above the heads like clouds in the sky of the discoverers. A large flat stone served as a palette, brushes may have been used from reeds or bristles and the hollowness of reeds or bones may have been used to trace outlines of figures and to put pigments on out off reach surfaces. There was no setting, no backround no indication of place or time again giving it a mystical sense. ore applying, trans lating that they did hunt. ------------------------------------------------------------------------**Bibliography**.
Common topics in this essay:
Paintings Periods,
sense security,
influencial factors,
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