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Youth in Television have been portrayed in many different lights, anywhere from the criminal to the young at heart. With their resistance to the dominant culture, many studies have been done concerning the meaning of the political challenges to the social formation involving investigating cultural objects and media artifacts. Historically young people have fallen into distinct but dependent categories: youth-as-fun and youth-as-trouble. One might ask why any of this is pertinent to the study of television. However in the 1950's consumer boom, youth-as-fun became a major advertising strategy. Once advertisers identified teenagers as a valuable consumer, more and more positive images of youth became evident on TV. Photography of youth has been historically produced out of ideological interests, constructed by new markets in an attempt to gain financial resources young people had gained access to. Even still today it is amazing to view how television views and portrays y!outh for the benefit of making a sale.


Success in leisure circles is contingent upon the spending of teenagers, therefor the advert attempts to transcend the difference of class, race or gender in order to make its appeal to the homogeneous category of youth. " Images of youth-as-trouble are not only limited to news media, but can be seen in soap operas. This conventional representation of patriarchal, heterosexual masculinity that is portrayed in advertising is evident in television and film. Text Used:Taylor, Lisa and Willis, Andrew. By bringing power on the problem situations, adults on the programs are able to control the dominant ideas of the ruling class by controlling teenager's actions and tho!ughts into acting the "right" way. After reading about the representation of youth, I decided to put it my own test. Youth-as-fun are most likely to be found in advertising. the adult, to support the interests of the teenager's bodies to be against teenage sex or acting out of control. " There is also another category that many advertisers use, combining the fun and troublesome aspects, creating youth-as-trouble-as-fun. These shows have the major impact of building images, which in turn are taken as examples of how young working- class people generally behave. A good deal of fashion advertising is aimed at this category to attract the average teenager that has the tendencies to act out at times. Knowing that young people are most adept at reading complex visual signs, advertising aimed at young people is also the most textually sophisticated. s-trouble have been seen in most aspects of the factual media such as the nightly news.

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