Sacrament of Sacrifice - Interpretation of Porter's "Flowering Judas"
“Flowering Judas was written between seven o’clock and midnight of a very cold December, 1929, in Brooklyn. The experiences from which it was made occurred several years before in Mexico…”(Porter). These were five hours of clustered, categorized, and explained personage in the form of literature. Katherine Porter revealed the above statement during an interview with Ray West. She would continue to say that the character of Laura “was modeled upon a friend,” but she was a “combination of a good many people” just as her counterpart, Braggioni, was that of some less than admirable ones (Porter). Laura is a twenty-two year old American woman who has come to Mexico to work for the Mexican Marxist revolution. Braggioni, the revolutionary leader, intimidates her. Her courtesy extends to Braggioni in the form of listening to his music. Her attention is as an insulating agent from offense to the man. She feels that she has been betrayed. Although she is of Catholic training, in this struggle her training is left wanting. Her feelings are of disillusionment by circumstances, disappointment by life as it is within the revolutionary realm, and disunion bet
Katherine Porter integrates the ficticious circumstances of a very real aggression with the sincere devotion to her character of Laura. She supplies ones in need with food, money, and cigarettes. He says, “Take eat these flowers, poor prisoner; Murderer and Cannibal! This is my body and by blood” (Porter 1708). Trembling, shaken, terrified, Laura is afraid to sleep again. Down the story line, she betrays Eugenio first by refusing his love for her, then, ironically, by delivering to him the drugs he uses to commit suicide. Braggioni is of the continual “Yes” mind while Laura is of the “No” mind. Laura’s disposition is, also, that of a tired woman. As he leads her, he tells her, “Murderer, follow me. ”Humor aside, this diversity of characters is most admirable when viewed outermost circle of Laura’s being. “During her leisure she goes to union meetings and listens to quarreling over tactics, methods, politics. The purity of Laura throughout the story is directly linked to the purity of the cause for which she fights her own battles. As Braggioni continues to lust for Laura’s ample breasts throughout the tale, and as he questions her with “Are you not in love with someone? And no one is in love with you?” (Porter 1706-1707), she constantly responds with a painful “No. ------------------------------------------------------------------------**Bibliography**.
Common topics in this essay:
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Acceptance Essays
