Sappho's Feminist Influence
It is when Sappho reconstructed the intimate relationship between man and woman by placing the female figure in more powerful position that she displayed what appeared to be a slight form of feminism. The infamous femme fatale Helen of Troy is used to exemplify the strength of woman's capability. the flower of the world's manhood- Warped to his will, forgetting (Sappho 41).Helen had the will to choose among the finest of men. She chose one whose strength surpassed many. Despite his intensity she was able to "warp his will" and purport the destruction of an entire nation. She indeed is a far cry from the subservient woman who exists only as an object of desire for the male element. An abundance of feminism, the belief in the social, political, and economic equality of the sexes, shines through in the poetry of both Gwendolyn Brooks and Bernadette Mayer who seem to carry on the subtle tradition of feminism in the lyricism of Sappho in a much larger way. They do battle with the traditional love sonnet, which places the woman in a role opposite to the one favored by Sappho.
This woman desires something more than the ability to be adored. Mayer then proceeds to release her mind in her newfound creation of the sonnet in a rather tumultuous way. In the appropriately titled poem Sonnet, she exudes angry fervor as she chooses to rid herself of a love partner out of frustration. New York: Harper & Row Publishers, 1944. She seems discontent with the lifestyle in which she is admired, like a rose, for her outward appearance. This is a woman who appears to crave attention; however, this attention is rather different than what the traditional love sonnet is offering. is the way that the emotional setting is filtered through a language that is both tough and accurate, the language that people actually speak and, in speaking, use to create the quotidian realities" (Baker 171). gender and sexual relations, it is surprising that her work has not received more attention from mainstream feminist critics, who share at least some of the poet's major concerns" (Baker 169).
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,
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