The Psychology of Nora
Many have called Ibsen's A Doll House a promotion of women's rights or a work of romanticism. It is much more than that. Nora's psychological makeup is a result of an oppressive, emotionally depriving and possibly abusive father, and an absent mother. Her flighty actions are the ones of a child, because as a child, that is probably the only way she got attention, and she was never taught any other way. The concept, and reality, of an independent woman in the late nineteenth century was non-existent, making the dramatic decision of the main character that much more significant. How does a woman, in a completely confining society, evolve to a point where she must go so completely against societal convention that her very life could be jeopardized? And was this her only option? Through the examination of her relationship with her husband as well as her relationships with others in her life, we will see that Nora had only two options: bury her emotional misgivings and stay where s!he was, or break free and save herself emotionally. Probably the most important feature in discussing the root of Nora's psychology is the revelations she made regarding her father (1186). While addressing her husband, she reveals
According to Nora, this was not an improvement. In the end, on!e can see Nora's struggle to break free of her caged prison. Linde continues on to say, "You're only a baby, Nora!" In a strong voice Nora answers, "You don't have to act so superior. Did she do this out of desperation or did she actually devise the plan and have expectations of it working out in her favor? It is also quite common for children to learn how to work around their father from their mother, but this was not the case here. She was under societal obligation to fulfill her role as a woman without the right to exercise her mind in a productive manner. She then gains some strength to stand up to Mrs. " This emergence of strength is classical to Nora as long as Torvald is not around. She entered this arrangement under fraudulent terms (1158), yet upon this discovery she is quite certain that things will work out in the end, after all, she had good intentions. Nora's business relationship with Krogstad is also revealing. the fact that she had to hide her own ideas if they differed from those of her father because he wouldn't like it. In the beginning of the play, she is first weak and childlike. Moving from a dominating father to a husband who treats her like ornamentation to his own ego only further suppresses Nora's development. Whenever Torvald is not around Nora, we glimpse her efforts to break free.
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