Raisin in the Sun: A Successful Film?
A Raisin in the Sun is a drama, written by Lorraine Hansberry, which tells a story about a colored family that is debating on the uses of the insurance money, worth ten thousand dollars. After several sequences of arguments, fights, and serious discussions, the money is invested toward a house that has been a dream for the family to own. Not only was this the first drama brought on Broadway by an African American female writer, but she was also awarded the New York Drama Critics Circle Award for Best Play of the Year (Plays 1729). Afterwards, the play was produced into a movie by Daniel Petrie. The film is closely related to the play and is a successful translation from play to film because of cinematography, actors, and relevance to the story Hansberry wrote. The cinematography in the film is achieved well. One use of cinematography that stands out is the lighting effect. The movie is produced on black and white film instead of color. Black and white films are difficult to shoot if the actors have dark colored skin. The reason is simply because people with dark skins, like African Americans, tend to become overexposed or underexposed because of the strong light contrast with the darkness and lightness. Therefore, lighting the s
The director's use of cinematography has visually interpreted the text, despite the fact that some places are different. Another criteria of making a good movie is choosing the actors who can act and can also relate to the qualities of the characters they will be performing. The final criterion is the relevance of the play to the film. He sits down in a booth and Lena is standing near him, shot from a low angle. The film follows the play closely in most areas, but not all. These scenes help visualize Walter's character better and add reality and believability to his life. This is commonly used in all the movies because most of the action can be shot in medium shots (Alexander). The translation of a text from one medium to another can be extremely painstaking, but the director knew what to do and was able to successfully convert this play into a film. A Raisin in the Sun has been published as a play text, played on Broadway, and finally brought to the screen. Linder visits the Younger's to tell them to sell their newly bought home to him, the expressions of Beneatha and Ruth's faces are angry, dumbfounded, and confused. The actor's gestures and being emotional about the problems they were confronting made them seem real and created believability. A couple of examples of added scenes are Walter working as a chauffeur, cleaning and driving the car, and Walter and his friends discussing the investment in the liquor store. For example, after knowing that the insurance money was stolen, Sidney Poiter clutches his knuckles tighly, screams for it to be untrue, and mercilessly drops down to his knees and scorns himself while Lena angrily slaps and hollers at him. Some of the important scenes, such as Walter arguing with his family about the money, Mr.
Common topics in this essay:
African Americans,
Ruby Dee,
Walter Lena's,
Daniel Petrie,
Raisin Sun,
Beneatha Ruth's,
Sidney Poiter,
Lorraine Hansberry,
II Johnson,
Diana Sands,
play film,
reaction shots,
ruby dee,
sidney poiter,
medium shots,
linder's offer house,
scenes walter,
black white,
shots shots,
diana sands,
offer house,
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