Hamlet and phelia
William Shakespeare painted an ambiguous picture of a character with qualities of psychological disorder, unluckiness and an indecisive nature in the play Hamlet. The young prince Hamlet suffered from severe emotional distress after the death of his father, King Hamlet. His emotions were tortured further when his mother, Gertrude, married his uncle, Claudius, heir to the Danish throne. Throughout the play Hamlet could not sort out his feelings for his lover, Ophelia, nor come to any plan of action concerning the message from the ghost of his father. His obsession with death coupled with his indecisive nature caused his own downfall in the end. Hamlet's "madness", inability to act in a calm manner and his muddled views on death combined in a terrible chain of events leading to tragedy and death. At the outset of the play, Hamlet saw an apparition claiming to be his father. The ghost narrated the uncanny events that lead to Claudius's coronation as king. Apparently he killed King Hamlet in order to usurp his power and his family. Upon learning the news, Hamlet decided to purposefully act like a madman. Hamlet revealed this to Horatio and Marcellus w
It marked the beginning of a chain of events that eventually brought on the conclusion of the tragedy because his death indirectly effected Hamlet through Laertes and Ophelia. 169-179) At this point, he must have been wild with rage and full of revenge. Laertes received a blow with his own sword and was therefore poisoned. Before she drowned she sang sad songs in reply to how she was feeling, and the songs made little sense. Hamlet displayed a clear obsession with death. The beggar and king in life were opposites, but in death they were both reduced to nothing. His purpose for acting mad was probably for the reason that he was mad anyway. 306) Moments later, upon learning of the poisoned wine and the imminent death of himself and his mother, Hamlet finally flew into action. The sight of a recently deceased loved one as an ontologically different being gives reason enough for one to become mad. Discerning when he appeared to be faking madness from when he appeared to be truly mad proves to be difficult. Or if though wilt needs marry,/ Marry a fool, for wise men know well enough what/ Monsters you make of them. 271-273) Despite the fact that he denied his love for her, he never believed it and it seemed that was not the purpose of his message when he said it. In his conversation with the king, he said, "We fat all creatures else to fat us, and we fat ourselves/ For maggots. With an untrained eye, these words appear to be no more than lovesick tones spoken in spite.
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