The Animation story
My personal enjoyment with animation has inspired me to write this essay, pertaining to animation. Since I was a child I have been fascinated with cartoons; from when they started out to be black and white, and until now with full colour and computer effects. To better perceive what my personal feelings about animation are, I must first discuss in full detail, a general overview of how animators bring traditional animation alive with motion. Animation seems like a smooth movement of drawn sequences of artwork, pasted together to form a single sequence of animation. This is the basis of animation, but animation is far simpler than it may seem. "The true meaning of animation is that it is a series of drawings strung together to create the illusion of smooth fluent movement."1 But the process of creating this so-called illusion, is a pain staking process during which artists must spend tremendous hours of agony to produce only seconds of animated film. Before an animator goes ab!
Finally what is required from an animator is "it takes commitment and effort to make the basis of animation come alive with fresh ideas. In an animation script, the visual action in the plot and perfor!mance is far more important than the dialogue. It ------------------------------------------------------------------------**Bibliography**. The first rule of animation is that an animator must hold the understanding of the techniques used to produce single cells of animation. Soundtrack After the script and storyboard are completed, the recording of any dialogue or key music is undertaken. Since traditional animation relies on perfect synchronization of the picture to the soundtrack, the animator must receive the recorded track before beginning to draw. No matter how modest or ambitious the project, the team of animators follow a strict number of structured procedures, and must possess the understanding of the concepts and terminology in traditional animation. Design Designers create visual interpretations of all the actors in the script. This scene-by-scene portrayal helps the writer, director and animation team to access the content of the project and to correct any deficiencies in the scripted story. The team begins a long process of set procedures, which all animators worldwide use. Second rule, and one of the most important ones is that, the animator must have great patience, so that his or her piece of artwork is not rushed, to prevent the animation from looking choppy and not as smooth as it should look. Leica Reel A Leica reel is a filmed storyboard which can be projected insynchronization with the soundtrack.
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Reel Leica,
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basis animation,
animation team,
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