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To begin, Smirnov enters the play as being someone with complete disrespect for anyone of the opposite sex. He has absolutely no shame in speaking vulgar words such as “idiot” and “damn” or saying inappropriate phrases like “God damn it to hell” in front of a woman; Mrs. Popov in particular. Smirnov acts as if he is desensitized to love, compassion, emotion, and tenderness. It is obvious that Smirnov’s actions are merely an “act” and not his true nature because even from the point of introduction to Mrs. Popov, Smirnov cannot help but make hidden compliments about her “schoolgirl dimples,” or speak of “how charmante [she] look[s]
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"I loved [my husband]. Popov even reaches the point of accepting a duel. ” Smirnov wanted to believe that women were to blame for all heartache, and Mrs. Popov is slyly sending the message to Smirnov that she does have feelings, and even though she has been hurt, a life of house-confinement is not what she truly wants.
In conclusion, Checkov’s usage of conversation between the characters in The Brute displays how even through stubbornness and fragile hearts, the unfailing force of love is always the end result for individuals who develop a “spark.
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