Chang Dai-Chien
Chang Dai-Chien is known for his skill of imitating traditional Chinese historical artists. He borrowed techniques from the diversity of Chinese art. Upon my arrival at the gallery the atmosphere of ancient epoch created by the paintings presented at the art show impressed me very much. The atmosphere of a different era was utterly amazing considering the fact that Chang Dai-Chien was a modern painter. The brush paintings, seen at the exhibition, were very interesting for several reasons, however the ones that appealed to me the most were symbolism and the imagery of the paintings. The importance of symbolism in Chinese Art is immense. It reveals and subsequently portrays cultural attitudes, conventions and events of a certain period of time, which makes the paintings not only the exquisite works of art but also a retrospective of history of China. Chang Dai-Chien was an acclaimed genius of his genre
This peculiar use of imagery reflects nuances of life, history as well as artist's perception of it. Calligraphy relies on distinct simplicity of form. Beyond controversy, he was, still is and will be a great master. because he had an incredible ability to revive the atmosphere of the past. The splashes of colour blend into each other, becoming no more distinguishabl!e one from the other, due to the interesting use of coloured ink and wash. The use of pastel tones of the clouds and mountains helps to support and reflect the symbolism of them, which can be interpreted as the mystery of the future and the unknown. Which, in my opinion, makes calligraphy an abstract art in essence. Despite my little knowledge of Chinese traditional art, I enjoyed this exhibition very much. The other very important part of the exhibition was calligraphy. The understanding of Chinese calligraphy comes through the understanding of visual symbols rather than written words. The smoky clouds in the painting, the misty, dim peaks of the mountains set a mood of mystery; a scholar looking at the mountain peaks!, at the beautiful pine tree adds a touch of enigma. The simplicity of lines and the boldness of shapes in the manuscripts are vitally important. Another very important aspect is the style in which the brush paintings were done. One painting that had a huge impact on me was "Lofty Scholar Beneath the Pine" (1982). We cannot consciously understand what is meant by words and yet we are able to feel and thus enjoy the artwork.
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