postimpressionists' effect on the next generation of artists

Postimpressionism can be said to have begun in 1886, the year that French painter Georges Seurat exhibited Sunday Afternoon on the Island of La Grande Jatte (1884-1886), and to have ended in 1906, the year French painter Paul Cézanne died. British art critic Roger Fry, however, coined the term postimpressionism, in 1910 when he organized an exhibition of French paintings at the Grafton Galleries in London. Fry is said to have been dissuaded from using the word expressionist to describe th

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In 1873 he was sent to the London branch and fell unsuccessfully in love with the daughter of the landlady.

It's hard to imagine that the man who created such restrained, methodical, time-consuming works had a violent, volatile temper.

The artists of Die Brücke drew inspiration from van Gogh, Gauguin and primitive art. Rather than let his personality shine in his art -- that scared him too much -- he suppressed it. In keeping with his humanitarian outlook he painted peasants and workers, the most famous picture from this period being The Potato Eaters (1885). ''

Cézanne was born at Aix-en-Provence in the south of France on Jan.

There is a powerful sense of violence, contained with difficulty, in much of their art. Munch was also a strong influence, having exhibited his art in Berlin from 1892. Their style of painting, using non-naturalistic colors, was one of the first avant-garde developments in European art.

An early 20th-century school of painting and sculpture in which the subject matter is portrayed by geometric forms without realistic detail, stressing abstract form at the expense of other pictorial elements largely by use of intersecting often transparent cubes and cones.

Cézanne is not an easy man to love, but professors and painters adore him. In the early 1870s, through a mutually helpful association with Pissarro, with whom he painted outside Paris at Auvers, he assimilated the principles of color and lighting of Impressionism and loosened up his brushwork. To unify different parts of the composition, he used shades of green, brown, and blue interchangeably in the depiction of sky, earth, flesh, and foliage. Expressionism assessed itself mostly in Germany, in 1910.

The Cubist movement in painting was developed by Picasso and Braque around 1907 and became a major influence on Western art.

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