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The Catcher in the Rye

Ever since the publication in 1951, J.D. Salinger's The Catcher in the Rye has served as the firestorm for controversy and debate. This book is a graphic depiction of the human condition, making it enlightening, yet incredibly depressing. The main character, Holden Caulfield, is one from many of Salinger's short stories that were periodicals. But in the novel, Holden is presented to the reader in first person narrative, which is critical in helping the reader to know and understand him. The theme in this book, like many of Salinger's work, is the passage of adolescence; (Lomazoff 1) but the theme can also be derived from the title of the book. Both internal and external conflicts plague the protagonist who, at the end, suffers a nervous breakdown: his giving into the phoniness of the world. This book is one that will stand the test of time, because the reader can relate to the idealism and realism of the main character (Lieder 2.) The main criticism of this book has to deal with the adolescence and repetitive nature of Holden Caulfield. That in the course of this lengthy novel, the reader may go weary of a character like Holden. "Holden was not quite so sensitive and perceptive as he and his


His refusal for the silliest of reasons: he found it disturbing to see her take her clothes off without fanfare. Holden can't wait to get him out of his room. "So Where Do the Ducks Go In Winter?: Essay of The Catcher in the Rye. Holden is something of an over-developed character, basically describing his life in detail in the beginning of the book. Honestly, Holden says that life isn't that great, that everyone is a phony, and that everyone you hold in awe will inevitably disappoint you. He's sympathetic to the principal's daughter, saying its not her fault what kind of bastard her old man is, and without missing a beat Holden states the fact that she wears falsies. The portrait is complete and convincing, and it is polished and has depth. His remorse admits to making out with phonies, the prostitute.

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