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The spiritual attitude that dominated the Romanesque age was not as strong and sure during the Gothic. In the earlier period, people believed that the world was a God - inspired mystery that could be expressed in simple, direct art. In the Renaissance that followed the Middle Ages, people believed , as did the Greeks, in cultivating rationalism and humanism. This change to a more secular age came about through the subtle influences of a variety of trends and events. When the year 1000 passed into history without the predicted end of the world, people began to think in terms of a more pleasurable life. Salvation through the remission of sins was still paramount in their thinking, but they reduced it to a formula. Scholasticism was the product of the medieval university, which had evolved from the earlier monastic schools. The medieval curriculum was divided into the so - called quadrivium and trivium. The quadrivium included arithmetic, geometry, astronomy, and music all under the heading of "Mathematics." While scholastic philosophy systematized salvation, it did not bring forth the deep and abiding faith that many believed it would. Worship tended toward an empty formalism, with th


The love for Mary was perhaps both cause and effect in the development of the ideals of "courtlylove. Early English, Decorated, and Perpendicular. The Gothic style came into being in France. The same tradition of symbolism prevails in painted art and in mjsic, especially music with texts. PAINTING During the Gothic period, the art of painting, except for the illumination of manuscripts, was a minor art in the north. The elongation of the body, which has the tendency to endow it with lightness and immateriality, was still used with striking success. The English Gothic evolved from its French counterpart and falls into three major style periods. Naturalism was not confined to human personality but also was present in the decorative details carved on the moldings and capitals of the pillars. Men like Dante were conscious of the inconsistency that existed between the Christian ideal and Christian practice. The spiritual and temporal power of the Church, its authority to saveor damn, its teaching of hell, its doctrine of an avenging God att these awed and frightened medieval people. Romanesque art was mainly monastic, but the Gothic cathedral of the twelfth to fourteenth centuries was the creation of the towns and bishops. The sculpture of the cathedral at Amiens reveals the Gothic spirit in stone. " These ideals were rather rigidly defined, written as a set of rules, then articulated practically in thepoetry written and sung by the troubadours. The east windows of King's College Chapel serve the same instructive purpose. This limitation hampered the Gothic builders, who sought in their buildings to reach great heights.

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