Plot Conventions in the novel "Rebecca"
Rebecca is a traditional gothic novel written by Daphne DuMaurier. Daphne DuMaurier was born in London, England in 1907, and later died in 1989. Her novel Rebecca, was published in 1938, and was soon after made into a movie by Alfred Hitchcock. DuMaurier uses the basic plot conventions in her novel Rebecca. These plot conventions consist of exposition, conflict, rising action, climax, falling action, and resolution. DuMaurier utilizes all of the basic plot conventions listed above in the expansion of both characters and suspense in her novel, Rebecca. The exposition of a novel is the introduction or background information provided by the author. In the exposition; the setting, main characters, and point of view are established. DuMaurier introduces the narrator, who remains nameless, as a traveling companion to a wealthy older woman named Mrs. Van Hopper. The narrator is young, fragile, and others easily intimidate her. In the narrator's travels she meets and falls in love with Maxim de Winter. Mr. De Winter is a wealthy man whose wife, Rebecca, died a year ago. At this point, the conflict of the novel is introduced. The conflict in this story is one of man vs. man. The narrator, the antagonist of the novel, becomes jea
He just can't go on living there alone. Van Hopper to be happy for her, so when she said this it made the narrator be even more threatened by Maxim's love for Rebecca. The resolution of a novel is the wrap up of the story. Yet he did not know that Rebecca really had cancer. The conflict is finally decided one way or the other. Danvers, the head of the house staff and Rebecca's dear friend, to be a enormous part of the rising action. Danvers had said, she was in that room in the west wing, she was in the library, in the mooring-room, in the gallery above the hall. Who will win, Rebecca or the narrator?The setting of a novel is the time and place where the actions occur. For example, the path to Manderley had many gloomy and sometimes scary aspects:We were amongst the rhododendrons. In the end, Rebecca has won the battle. The other two close together amidships, underneath her floorboards, in the bottom. The narrator is plagued by feelings of inferiority. A thing of grace and beauty, exquisite and faultless, lovelier even than I have ever dreamed, built in its hollow of smooth grassland and mossy lawns, the terraces sloping to the gardens, and the gardens to the sea (65).
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