Impressionism
The Ecole des Beaux Arts, also known as the Academy, was build during the reign of Louis XIV of France. The Academy was extremely significant in the 19th century because the works that were accepted into the Salon became the taste making body in French culture. Attendees of the Salon were generally from the upper class and considered anything accepted into the Academy to be of great value. The annual exhibitions were highly competitive, as was membership to the academy. Because of this, artists would crowd around the Academy to try and get their works of art accepted knowing that if their work were showcased, they would have a prosperous career. Funded by the government, the French Academy thus supported a limited range of artistic expression. Works of art accepted into the Academy were those that were created using a classical style. In cla
After repeated rejections and the refusal to change their style in order to be accepted by the Academy, many of these artists began holding their own exhibitions in Paris. The subject is a goddess-like figure whose round and voluptuous figure is bathed in a golden light, showing importance on the subject. The general color is bright, or expressive, showing many shades of one color. Other artists, such as Courbet, set up their own galleries to showcase their work to the public. This decision gave the Impressionist much freedom because they did not have to fight with the Academy's strict and authoritative guidelines. Although is subjects are painted using crisp lines, the apparent chance arrangement of his figures and the idea that their motions are suspended in a moment already passed, are extremely popular characteristics of impressionistic art. Art of the Impressionists, however, showcased a very different style. Another group of artists unhappy with the Salon's viewpoint formed the Society of Independent Artists and only accepted work that was avante-garde to what was accustomed in annual salons during that time. Her expression is seductive, almost inviting to the men, fitting perfectly to the gender role of women at that time. ssic art, individuals with importance, such as a king or mythical character, were usually the subject of a painting. Because of the extreme difference in artistic style, Impressionistic art was widely rejected by the public and the Academy. In Caillebotte's "Paris Street: Rainy Day", painted in 1877, for example, an unconscious, candid everyday scene makes up the setting of the painting. These paintings were made using expressive colors and short, choppy brushstrokes that gave little detail to the objects being painted. Impressionist painters liked to use candid events or people as their subjects and often created a painting with multiple focal points.
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