Monet vs. Degas Aesthetics
Although from the same artist group, these Impressionists originated from backgrounds that seemed worlds apart. Claude Monet, known as the "Master Impressionist" varied the themes in his artwork more than any other artist did. Monet's work "Impression Sunrise", of which the term "Impressionist" originates also gives rise to the title "Master Impressionist". Edgar Degas started his career as an artist with nothing in common with Monet but the era in which they lived. From themes to brushstrokes and choices of colours, Monet and Degas started their relationship as Impressionist artists on opposite ends of the earth. However, towards the climax of their lives as artists, Monet aided Degas in adopting Impressionist Aesthetic qualities. Monet chose to depict exquisite landscapes from his own gardens and elsewhere, particularly in France. He uses small, elegant brush strokes and vibrant colour to match the scenes he paints. In the mid-1870's, Monet's influence over Degas lead Degas to lean his colour choices nearer to those of other Impressionists. In addition to this, Degas began employing pastels, which gave his works a more granular affect that more closely resembled those of other Impressionists.
Towards the end of his life, Degas concentrated most of his painting, and eventually pastel works, on his obsession with capturing motion. Although both artists are of the Impressionist Movement, Degas and Monet started on very contrary bases in their approach to their production of painting and such. Degas' brushstrokes are smoother and more flowing in his earlier works, before his encounter with Monet. The evolution of Monet's artistic style was extreme. He spends the remainder of his life there and paints his Japanese footbridge a great many numbers of times. He tended to lean towards painting familiar gatherings in his shy and insecure "keyhole" manner; used mainly when painting people in action, for example, "The Tub" or "The Bath". ! Born in 1840, Claude Monet began to show promise in the arts as a young boy. An example of this would be one of Degas earlier works: "Achille De Gas in the Uniform of A Cadet" c. The end of his life was almost solely consecrated to his need to capture motion. Monet chose colours the gently blended and showed vibrancy but that created a kind of stable balance in the greater part of his paintings. 1870-85 and who utterly isolated himself during his later years; he painted almost no people in his work as he physically ripened. The colours chosen by either artist's match the scenes they tended to choose to paint. While Monet has tended to lean towards the short, choppy and yet delicate, Degas' strokes blended virtuously unnoticeable. " Degas did not paint as an insider, but as an outsider peering in.
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