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"Magico Realismo in Isabel Allende"

Isabel Allende, a Chilean author famous for many Latin American fiction works, incorporated magico realismo, or magic realism, into her first novel, The House of the Spirits. Magic realism is described as the interest of displaying a common or daily scene in a story, but implementing a strangeness or unnatural aspect or event. In order to stay within the framework of magico realismo, the author must maintain the fact that the characters in the story do not think of the strangeness or unnatural event as being unordinary. Let us begin with the history of magical realism. Although Isabel Allende began writing The House of the Spirits on January of 1981, the idea of magical realism came long before. Magical realism is believed to have been formed during the English expansion and colonization of new worlds. When Europeans began to travel to new lands, they encountered new cultures. Since the rituals and daily lives of the newly exposed cultures were not the same as what the English were used to, they conceived strange interpretations and explanations as to why things were the way they were. These new notions often included stories about spirits, forces of nature, and the supernatural. These ideas and stories quickly spread a


She was a simple woman who only ever loved one man. She was now too old to ever be thought of for marriage. The political events, acts of love, and determination of the Latin American women of this novel make it the exotic story that it is. When the term first reach the shores of the United States, it was used to describe arts and some pieces of literature. This man began to eye Blanca, and soon it was obvious that he was wooing her. Her name means "white" or "pure," which is parallel to the love that she felt for Pedro Tercero Garcia. He would leave with no recognition or responsibility as a parent. Her uncles Jamie and Nicolas were always imposing their inputs or teaching her some new piece of information. 506-07 The National Library of Canada. This was the man who told her father that she was at the river with Pedro Tercero. Clara is constantly surrounded by a flock of other claiming-to-be clairvoyants and healers, such as the three Mora sisters, and countless Theosophists, Rosicrucians, telepathists, acupuncturists, and rainmakers, while she is in the city at the mansion her husband Esteban Treuba had built for them. As you can see, the characters created by Isabel Allende convey a wonderful sense of magical realism. He was always taking his family between the city and the ranch, and after his mother died, he recruited Ferula to help take care of his family. Clara's visions were always accurate, in fact, she could even forecast earthquakes.

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