mumbo jumbo
Ishmael Reed, through parody, allusion, and satire, manages to convey themeaning of Jes Grew without once explicitly defining it. There is a goodnever defines it; Jes Grew has no true definition. Even those infected by?anti-plague? that evokes the jump, jive, and wail, do what you feel likethem, can?t put their finger on exactly what is ?this Jes Grew thing? (33).explain Jes Grew without destroying its carefree feeling. Yet withoutJes Grew ?will peter out as in the 1890?s, when it wasn?t ready and had nosearch? (34). Ironically, this set both pro and anti-Jes Grew advocates onpath: to seek out its text. Apparently an inevitable outcome, this essaythe implications of the sought after text and the exact meaning of thatwhich Reed so delicately tip-toed around. Jes Grew at first glance reads as ?just grew.? Reed chose these words tophenomenon a sense of emergence. What was not there yesterday has suddenlytoday because it just recently grew. What used to be the mundane, every dayNegro is transformed into the enlivened carefree attitude of Jes Grew. The
It is thosein charge, the white bosses and politicians, who feel threatened by thespontaneousemergence of personal freedom. ?Once we had ?ragged? words; now we ?jazzed up? everything? (115). Akin to the bootlegging of the 1920?s, Jes Grew persists despite beingoutlawed. The Neo-HooDoo advocates understand this well on their course to uncover thetext ofJes Grew, as their VooDoo following forefathers had experienced this exactbetrayalwhile fighting for the freedom of Haiti from France. Riff fly skid dip soarand gave his AltoGodspeed? (211). With the compiled anthology which Von Vampton proposes to reconstruct, theywillhave a single, clear understanding of the beast. Reed uses the term android to impress upon his audience the concept ofpre-programming. But one trendremains common throughout the Jes Grew outbreak, and that is that it allowspeople tostand apart from the programmed mindset of the period. Notesmerely served as a skeleton for the music to emerge from. By amassing the 14 textsscatteredthroughout Harlem, the whites are symbolically capturing the essence of thecraze whichis spread amongst the people and identifying it as a single manageable andsuppressibleentity.
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