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revenge in hamlet

In the play of Hamlet, the omnipresent theme of revenge is very palpable as the reader examines the characters of Hamlet himself, as well as Laertes, son of Polonius, and Fortinbras, prince of Norway and son of the late King Fortinbras. Each of these young characters felt the need to avenge the deaths of their fathers who they felt were untimely killed at the bloody hands of their murderers. However, the plan of action that each character takes illustrates the personality and convictions of the character. Hamlet, Laertes and Fortinbras are similar in the fact that each had love, or at least respect for their fathers, enough to make an attempt to seek revenge upon their father's murderers at the risk of their own reputation, freedom, and souls. Each character's father had a substantially high social class in their respective countries, which in turn gives them high social class as well. With Hamlet and Fortinbras as sons of kings and Laertes as the son of a noble of high regard in the Danish court, all had a lot to lose if unsuccessful in their ploy. Each of the sons believed that the killers had dishonored their fathers as well as themselves. Individually they act in a way that they consider to be an attempt at restoring


He carried out his plan within the bounds of the law, without the risk of his soul being damned to hell. ------------------------------------------------------------------------**Bibliography**. In the beginning of the play, we learn young Fortinbras has martial intentions towards Denmark and that Claudius views this as a threat as he makes plans to embark on military preparations of his own to defend his country. He does not act out of fits of temporary madness like Laertes and Hamlet, but stops to develop a plan and realizes t!he consequences of a victory or loss. Ophelia answers by telling Laertes that he should follow his own advice and withhold from being "like a puffed and reckless libertine" (I. Even Hamlet saw him as a man of reason and a good leader as he bestowed the crown of Denmark upon him in his dying words. This shows the courage Fortinbras has to take up arms against a country that had recently defeated his own. For Hamlet and the trifling of his favour, Hold it a fashion and a toy in blood, A violet in the youth of primy nature, Forward, not permanent, sweet, not lasting, The perfume and suppliance of a minute-No more. It is not until his father's ghost appears to him that he is aware of a killer. One cannot help but take pity on the young prince who has not only lost his father, but has had to endure the re-marriage of his mother to his murderous uncle.

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