Francis Bacon
Francis Bacon was born in Dublin on October 28, 1909, the second of five children to Edwad and Winfrey Bacon. The Bacon family lived there until 1914, when Edward took up work in the War Office in London, England. After 1918, the family moved back and forth from London to Dublin. During this period of frequent travel, Francis suffered from asthma and other recurrent ailments and rarely went to school, being taught by private tutors. In 1925, Edward, angered by Francis's homosexuality, sent Francis to live with an uncle in Berlin. After three years, he moved to Paris, where he suppored himself with commissions for interior decoration. There he decided to become a painter, after viewing the Picasso exhibit at the Galerie Paul Rosenberg. In 1929, Francis Bacon returned to London, setting up a studio in South Kensington. There he held a one man exhibition of surrealist oil paintings, water colors, and furniture. The exhibit received little or no attention, but Bacon was determined, and started devoting more time painting, and less time on interior decorating, and began to live in poverty. In 1933, he painted two crucifixions, which he submited to the International Surrealist Exhibition, but were rejected. Dishearted, h
He didn't like the idea of growing old, and through the mid 80s, as his friends passed away, his attitude and drinking got worse. Bacon then took up a brief teaching position at the Royal College of Art. After many less sucessful attempts, Bacon finally managed to achieve his goal in Pope II, 1951. His mental image of the painting was so powerful that he felt that if he were exposed to the painting's reality and saw the details of its technique, it would change the inner vision that he had so often cited and varied. His use of dark imagery and abstracted figures gave his compositions a tension that unified his pieces. The following year, Francis painted a large Crucifixion tryptich, which was acquired by the Munich Museum. Following the success of the first tryptich, he painted Painting 1946, which was exhibited at the same gallery, provoking extreme reactions. The theme of the Crucifixion sparked a strange and disturbing fascination on Bacon for many years, that impacted his art with the convergence with two other themes, the extension of the single picture into the triptych, and the introduction of the motif of meat. In the 1965 Crucifixion the focus is clearly on the central panel. Bacon was a painter and nothing else. In his work it has a primal quality; it bears witness to unbearable pain and the yearning for salvation. This then prompted a series of eight Popes, executed in 1953, and exhibited in Bacon's first one-man show outside of London. e began to paint less and gamble more. He painted Three Figures in a Room the same year. Bacon's influences extended from Picasso to Velazquez to Van Gogh.
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Acceptance Essays
