Blake's Sogs of Innocence and Experience Analysis
THIS IS A ROUGH DRAFT NOT THE FINISHED FORM!!!!In William Blake's Songs of Innocence and Experience, the gentle lamb and the dire tiger define childhood by setting a contrast between the innocence of youth and the experience of age. The Lamb is written with childish repetitions and a selection of words which could satisfy any audience under the age of five. Blake applies the lamb in representation of youthful immaculateness. The Tyger is hard-featured in comparison to The Lamb, in respect to word choice and representation. The Tyger is a poem in which the author makes many inquiries, almost chantlike in their reiterations. The question at hand: could the same creator have made both the tiger and the lamb? For William Blake, the answer is a frightening one. The Romantic Period's affinity towards childhood is epitomized in the poetry of Blake's Songs of Innocence and Experience. "Little Lamb who made thee/ Dost thou know who made thee (Blake 1-2)." The Lamb's introductory lines set the style for what follows: an innocent poe!
It is divided into two stanzas, the first containing questions of whom it was who created such a docile creature with "clothing of delight (Blake 6). Innocence has not yet experienced fiery tigers in its existence, but when it does, it wants to know how lambs and tigers are supposed to co-exist. The stanza closes with the same inquiry which it began with. Songs of Innocence and Experience, The Tyger and The Lamb. The Lamb's nearly polar opposite is The Tyger. The second stanza begins with the author claiming to know the lamb's creator, and he proclaims that he will tell him. " In the poems, innocence is exhilaration and grace, contrasting with experience which is ill-favored and formidable. Jesus Christ is often described as a lamb, and Blake uses lines such as "he is meek and he is mild (Blake 15)" to accomplish this. " There are images of the lamb frolicking in divine meadows and babbling brooks. Experience asks questions unlike those of innocence. New York: Addison Wesley Longman, Inc.
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