surrealism in film

eventually does kill the samurai and takes off his mask, he oddly finds his own face in place of the samurai's. I believe Gilliam wanted his audience to believe the samurai represented technology itself. Sam's strug
             ...

More Essays:

APA     MLA     Chicago
surrealism in film . (1969, December 31). In MegaEssays.com. Retrieved 04:09, March 29, 2024, from https://www.megaessays.com/viewpaper/68846.html