Crime and punishment
The realist movement in literature first developed in France in the mid-nineteenth century, and soon spread to England, Russia, and the United States. Realist writers sought to narrate their novels from an objective, unbiased perspective that simply and clearly represented the factual elements of the story. They became masters of psychological characterization, detailed descriptions of everyday life in realistic settings, and dialogue that captures the idioms of natural human speech. The realists endeavored to accurately represent contemporary culture and people from all walks of life. Thus, realist writers often addressed themes of socioeconomic conflict by contrasting the living conditions of the poor with those of the upper classes in urban as well as rural societies. In Russia, one major contributor to realist literature was Fyodor Dostoevsky, whose novel, Crime and Punishment, i
However, his horror of the blood of his victims clings to him and is the first symbol of his punishment, or the guilt he feels after he commits murder. The first group of people is conservative conformists who thrive on obedience during their lives. He writes that two groups of people exist in society. 763) In stark contrast to the previous Romantic writings of William Wordsworth, Mary Shelley and John Keats, Dostoevsky portrays a division of classes which is cut and dry; these two groups leave little room for variation. Dostoevsky depicts a world full of segregation and division between social classes. On the other hand, he begins to realize as the excerpt in Fiero progresses that he is a part of common humanity as well. Raskolnikov states, "in my opinion they ought to obey because that is their destiny, and there is nothing at all degrading to them in it. A significant theme in Crime and Punishment is that of the "superman" or "extraordinary man," who, according to Raskolnikov's startling thesis, stands above ordinary humans and is exempt from obeying the law. 763) Symbolically, he is forced to live on with the indelible imprints of his crime and tries to justify his actions by saying bloodshed is acceptable if necessary. He says "in my opinion he may in all conscience authorize himself to wade through blood - in proportion, however, to his idea and the degree of its importance - mark that. These problems helped to shape the society and the people who lived within it. He cannot escape the consequences of his crime, and he is not above the common human experience of suffering the effects of one's deeds.
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