Umberto Boccioni's Futuristic
The creative engine of Italy was running low on fuel at the end of the 19th century. The Italians seemed to be still holding on to the pompous arrogance of the times and indulging in self-involvement. There was no other country at this time that was so subjected to the past, paralysed by lack of distinctive ideas, and deprived of a unique cultural identity1. The Italian public was fine with protecting tradition, and following naturalistic formulae and absolutely refused to notice the changes in art, literature, and drama. By the early 1900's technological inventions were becoming a crucial part of everyday life. Electric lighting, domestic appliances, and communications media were publicly known items that reinforced the sense of the impending future. Little did people know, that this integration between man and machine was the inspiration for futurism, which rumbled into the early 20th century. In 1909, when futurism was introduced to Italy, it was greeted with hesitation. Futurism rejected all the splendor and decadence of Italy's cultural past, in favor of new advances in science and technology. It enthusiastically embraced the concept of change as a fundamental aspect of its activities and ideology2. It was affected
When Boccioni and his companions expressed their Futuristic thinking to the public, their thoughts and views were uprooted, suddenly and forcefully. The tones of their manifestos were aggressive and inflammatory and were purposely intended to inspire public anger and amazement, to arouse controversy, and to attract widespread attention. They still had their feet firmly planted in the refuge of tradition. The experience of Cubism was another important influence for him, enabling him to bring greater solidity to his forms. Futurism was by far one of the most boisterous, art periods. Boccioni, translated the kinetic rhythms and the confused, intense sensations of modern urban life into powerful visual forms8. Umberto Boccioni was one of the Futurists that ended up visiting jail for his dynamicviews. by the possibilities that new technology could bring, and the perception of modern city life. This was made clear in Marinetti's famous declaration that "a roaring racing-car. He could make the simplest things like a cyclist or a horse, seemingly run and dance on his canvas. Even though the public was eventually introduced to technology, many of them at that time could not understand the vision of these lovers of machines.
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