The Harlem Renaissance Or the New Negro Movement The dawn of the 1920’s ushered in an African American artistic and cultural movement, the likes of which have never and will likely never be seen again. Beginning as a series of literary discussions in Greenwich Village and Harlem, the “New Negro Movement” (later dubbed the Harlem Renaissance by Alain Locke) came to exalt the unique culture of African Americans and redefine African American expression. The movement spread throughout all areas of the arts and humanities, gaining a wider audience as it went along. Soon it became more than just an artistic movement, it was at the same time a social ideal.
The authors and artists of the era simultaneously struggled with and embraced their African heritage and American birth and lifestyle. The arts became a means of rebellion against the racism running rampant through the south, as well as a way for African Americans to finally prove they had their foot in the door of American (especially elitist) culture. The Beginning After years of unfair treatment and humiliation, black people from the South started a migration northwards. Large metropolitan cities such as Washington D.C., Chicago, and New York City became hubs of creativ
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The Harlem Renaissance transformed African-American identity and history, but it also transformed American culture in general. From this came the racial pride that Dubois called for so many times. It was as if the people were expressing their newfound vocalism any way possible. "One ever feels his two-ness - an American, a Negro; two souls, two thoughts, two unrecognized stirrings: two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder. Leaders of the Movement If this movement could be said to have any definite leaders, they would be Alain Locke, and W. Locke described this movement in The New Negro as “something like a spiritual emancipation. ”(The New Negro) Increased contact between races at all levels of society would provide something of a safeguard against rising racial tensions. "(The Souls of Black Folks)
Themes and Styles the theme of alienation ran rampant through the works of the greats listed above as well as most of the other authors and artists of the time. Alain Locke, often called the “midwife and mentor” to the movement, was a sociologist, critic, and author. Dubois introduced the notion of “two ness”, a divided awareness of one’s identity. He further believed that his people could not achieve social equality by emulating white ideals; that equality could be achieved only by teaching Black racial pride with an emphasis on an African cultural heritage. It has long been considered by many to be the high point in African American writing. Add to this a whole new white audience frequenting Harlem nightclubs, and black culture began to receive serious critical attention from white intellectuals.
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