Feedback Form
Quality
Research
Material!

“Identifying the Soul”

“Yes, I will be thy priest, and build a fane / In some untrodden region of my mind, / Where branched thoughts, new grown with pleasant pain / Instead of pines shall murmur in the wind” (Keats 848). This quote, taken from the last stanza of John Keats’ “Ode to Psyche,” exemplifies the meaning of the ode for the reader. According to Andrew Motion, author of Keats: A Biography, “Keats defines his individual self while registering his dependence on surrounding conditions. His pursuit of ‘beauty’ and ‘truth’ is both a lament for lost ideals and a celebration of their transfigured continuance” (382). In this paper, I will show how Keats uses the winged Psyche to describe his longing to identify the soul through the use of mythology and sensual imagery.

The first way that Keats describes his longing to identify the soul is through mythology. Keats introduces his reader to the goddess Psyche in the opening lines of the ode, “O Goddess! hear these tuneless numbers, wrung / By sweet enforcement and remembrance dear,” (Keats 847). In a footnote, Keats reveals that Psyche was a mortal who was wedded to Cupid and translated to heaven as an immortal. In Kris Steyaert’s article, “Poetry as Enforcement: Conquering the Muse in Keats’s

. . .

‘Ode to Psyche’,” he makes the statement that “the Cupid-Psyche myth may have appealed to Keats because it occasioned a candid gesture of self-definition and a search for a well-developed identity” (6). Therefore, by helping Psyche find her identity as a goddess in his mind, he was able to find his own identity as well. This imagery is parallel to Keats’ own life, which he sees as fading as a result of his failure as a poet. The sensual imagery Keats uses is a reduplication of identical words that describe precise lacks and precise reparations. After all of this, Psyche is not even recognized as a goddess until after the time of Apuleius the Platonist, and consequently she was never worshipped or admired as she should have been (Motion 386). The poem becomes a parallel to Keats’ life because his whole life he struggled to find a place within the world of poetry where he would be accepted and admired.

The defiance of the third stanza makes the reader aware that although the world has not worshipped Psyche, Keats is going to create a place for her. I agree with the claim that Keats uses sensory degradation, particularly in stanza two, however, Bennet fails to admit that in the third stanza all of the things that faded now come back to life.

The second way that Keats describes his longing to identify the soul is through sensual imagery. In the Cupid-Psyche myth, Psyche endures many tribulations in order to be with her immortal lover. Keats use of sensual imagery shows that the failure that one experiences in life will one day be restored. This is necessary to understand the concept of “Psyche” because in his final stanzas Keats discovers that “by the constructive activity of the mind we can assert a victory, complete and permanent, over loss” (Vendler 49). He discovers that, like Psyche, it does not matter if the world admires him as a great poet. Although I agree with Steyaert’s notion that Keats uses Psyche to convey his own search for identity, he goes on to say that, “Keats strips Psyche of all individuality she could possibly possess. Keats sees the myth of Psyche as a failure, just as he sees himself as a failure.

Approximate Word count = 1040
Approximate Pages = 4 (250 words per page double spaced)

Simply subscribe to view this paper, and 100,000 others.

CREDIT CARD
ONLINE CHECK
JOIN BY PHONE
Members get exclusive access to over 100,000 essays.
Don't pay per page, get instant access to the whole database.

Essay's Topics

All research is for reference purposes only.

Copyright (c) 2001-2008 Mega Essays LLC, All rights reserved. DMCA