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The first way that Keats describes his longing to identify the soul is through mythology. Keats introduces his reader to the goddess Psyche in the opening lines of the ode, “O Goddess! hear these tuneless numbers, wrung / By sweet enforcement and remembrance dear,” (Keats 847). In a footnote, Keats reveals that Psyche was a mortal who was wedded to Cupid and translated to heaven as an immortal. In Kris Steyaert’s article, “Poetry as Enforcement: Conquering the Muse in Keats’s
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The defiance of the third stanza makes the reader aware that although the world has not worshipped Psyche, Keats is going to create a place for her. I agree with the claim that Keats uses sensory degradation, particularly in stanza two, however, Bennet fails to admit that in the third stanza all of the things that faded now come back to life.
The second way that Keats describes his longing to identify the soul is through sensual imagery. In the Cupid-Psyche myth, Psyche endures many tribulations in order to be with her immortal lover. Keats use of sensual imagery shows that the failure that one experiences in life will one day be restored. This is necessary to understand the concept of “Psyche” because in his final stanzas Keats discovers that “by the constructive activity of the mind we can assert a victory, complete and permanent, over loss” (Vendler 49). He discovers that, like Psyche, it does not matter if the world admires him as a great poet. Although I agree with Steyaert’s notion that Keats uses Psyche to convey his own search for identity, he goes on to say that, “Keats strips Psyche of all individuality she could possibly possess. Keats sees the myth of Psyche as a failure, just as he sees himself as a failure.
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