dsyfunction in literary family
Throughout history novelists and playwrights have to created dysfunctional families. These families lead tragic lives. Within these families, there are both internal and external battles to be dealt. In William Shakespeare's King Lear and Eugene O'Neill's Long Day's Journey Into Night, the authors reveal truly dysfunctional families. In these plays both authors portray the problems and between each member of the family and the consequences the problems will have. In King Lear there are two families that display dysfunctions, the Lear family and the Gloucester family. Within the two families, there are many dysfunctions. In King Lear there are both major and minor dysfunctions between both the Lear family and the Gloucester family. One of the major dysfunctions in both families is filial ingratitude. Within this dysfunction is a theme of good versus evil. The minor dysfunctions of King Lear are closely related to the major dysfunction of filial ingratitude. The minor dysfunctions of the play are the tragic disrespect of authority and the pain of misjudgment. In the Lear family, the theme of filial ingratitude is shown primarily by the attitudes of Lear's elder daughters. The play primarily deals with the insanity o
f King Lear after he divides his kingdom between his elder daughters, Goneril and Regan. In the Gloucester family, it is Edgar who plays the part of the "good" sibling while Edgar plays the "evil" sibling. His youngest daughter, Cordelia, was banished from the kingdom after she told Lear "Happily, when I shall wed, that lord whose hand must take my plight shall carry half my love with him, half my care and duty. At this point Edgar reveals himself. This is when Jamie confesses his own jealousy of Edmund and his desire to see him fail. Her goal is to stop her two evil sisters and to restore Lear to the throne. Most of the problems emerged from the past. In the Lear family and the Gloucester family, battle of good and evil between the siblings occur. Lear is shown dragging Cordelia's body and announces that he had killed the man who hanged her. In order to do this he makes it seem like that his brother, Edgar, was responsible. You dare tell me what I can afford? You've never known the value of a dollar and never will! You've never saved a dollar in your life!" (O'Neill 31) All the conflict and the problems from the past cannot be forgotten and they are relived day after day. One of the dysfunctions in the play is the characters inability to communicate despite their constant fighting. As the play is set, Tyrone and Mary are aging. Instead, they allow her to lie to herself about her own addiction and about Edmund's illness of consumption. There are many dysfunctions in the Lear, the Gloucester, and the Tyrone families.
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