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Pablo Picasso

Cubism, which began very shortly after Fauvism, is exemplified by Pablo Picasso. In this movement the flattened space including background and foreground are related in a new and more abrupt manner. The first effect is of a camera in motion, a kaleidoscopic impression of the solid portions of the figure. This certain feature can be contrasted to the impressionist movements' works. Added to this kaleidoscopic quality is another new element. Picasso and his Cubist


These were selected not to form impact but for decorative and compositional-making. Georges Barque was major contributor to this style, in which he joined bits of real wallpaper, playing cards, tobacco package labels and other materials. The rational, geometric breakdown of the human head and body provided Picasso re-appraisal of his subjects. This resulted in forms that were more abstract and stylized and in a sense more symbolic. It still remains the pivotal movement in the art of the first half of this century. A cubist painter, to achieve a greater understanding, walked about the subject, observing it from significant various angles and recording them as his impressions of form. In this form, the Cubists were more concerned with textural and decorative values. But this procedure led to actual destruction of form and its reduction to a series of decorative elements. Negro art and sculpture had a profound effect and it was quite extensively used by Picasso. d the form into a series of simultaneously viewed but different aspects of the same subject. Negro sculpture approved his subject in a more conceptual way than a naturalistic depiction, mostly by a western view. Cubism was an art of experiment which stripped bare the mechanics of pictorial creation and destroyed the artificial barriers between abstraction and representation. Picasso held the view that it was art that held the key to the young twentieth century painters to liberate themselves and was more representational and anti-naturalistic. This style gave birth to the next phase of development, known as synthetic Cubism.

Common topics in this essay:
Georges Barque, Picasso Negro, Picasso Cubist, Pablo Picasso, Cubism Cubism,

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