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Graphic Design - Keeping Original In A Competitive Market

Dissertation: Graphic Design - Keeping Original In An Overly Competitive Market As society today goes, graphic designers have to push the boundaries of reality and constantly reinvent trends in order to keep their ideas unique. This puts immense pressure and strain upon the high end of the market where the best designers strive to work. Originality therefore is the key to these ideas, whether it is simple but effective or stupefying and indulgent. By selecting a number of stylish design firms and designers to study, a closer look can be taken at competition within the market and whether originality does indeed regulate the industry. The firm Intro offers graphic design, moving image design, copywriting, web design, product management and, I quote, "most importantly - fresh in formulaic thinking". The need for powerful and effective communications has never been greater. But ironically, the modern world is saturated with boring, tasteless consumer messages. Everything within the market is similar, Intro however work with a fundamental alternative; effective campaigns incorporating visual communication with an edge. Intro have a dynamic back catalogue of clients and have worked for some


From even the simplest, quickest flick through the Pioneer of Swiss Graphic Design Book from which I gathered my research on MB, it's apparent that his style was years ahead of his closest rivals and is clear to see how he became so refined as a designer. Intro for example has applied these basics to achieve great results, as they know that simplicity is the key. Former clients include Channel 4, Sony, Ministry of Sound, Virgin, Mercury Music, This is Real Art, F1, Jaguar, and perhaps more recently Chemical Brothers, Feeder and Primal Scream. Images within the book contain pink incandescent paint that is splattered arbitrarily; whilst others include combinations of low and high resolution sections that are continually recurring with identical images. I feel the main points to conclude from studying intro are crucially that there work is trendy and fashionable but not in the sense of the word that means that everyone is doing it, they always seem to be there first, they crack the mould and they crack it well. The 1940s saw MB's career begin to take off and by the 50's he was working on projects from the police to Walt Disney, his style was so varied and could be applied to almost any resource to obtain great results. It is not that I don't like this work, it is the kind of style I am into, it's just that after analysing it, it doesn't have quite the same degree of poise and elegance as such truly original pieces from the intro team for example boast. They have almost tried too hard in some instances, rather than keeping it simple to give off the impression of quality and that 'just right' look. They are defiantly my favourite of the artists I have looked at as they have such a finesse and a feeling of such quality when viewing there work. Sometimes trying to be too innovative just ends up looking predominantly tedious. The sleekness they use always seems to impress, there work is truly original and fully complies with the specifications to which it is set out to fulfil. Bringing this history of where the 90's flyer originated to a close descends from the frenzied imagery used on the 60's underground flyer although this time as an alternative to piecing it together with dodgy paper, cheap luminous highlighters, craft knives and PVA glue, fresh technologies began to arise. I have noticed that as they are successful due to them being simple, they vary which helps, but not massively which I think is the main point to stress; i. Another of Intros famous projects was to produce a revolutionary cross-media communications campaign for the NHS and there Gateway to Leadership programme, a recruitment plan composed to draw in competent executives from the private sector. MB began in 1935 as a freelance graphic designer creating such work as small illustration commissions and shop window displays.

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