Tennessee Williams Stories
Throughout the stories of A Streetcar Named Desire, by Tennessee Williams and A Doll's House, by Henrik Ibsen, the different characters that are portrayed throughout the stories are well defined as to why they are who they are and how their fragileness, gullible ness, fakeness, and evilness, can lead to the ultimate stereotype of all the characters. Blanche, Stella and Nora are portrayed as three very different characters, but in reality, they are more similar than anyone ever imagined. In Isben's, A Dolls House, Nora, the protagonist is treated like a doll - the property of Torvald Helmer. In Act I, there are many clues that hint at the kind of marriage Nora and Torvald have. It seems that Nora is a doll controlled by Torvald. She relies on him for everything, from movements to thoughts, much like a puppet that is dependent on its puppet master for all of its actions. The most obvious example of Torvald's physical control over Nora is his re-teaching her the tarantella. Nora pretends that she needs Torvald to teach her every move in order to relearn the dance. This act shows her submissiveness to Torvald. After he teaches her the dance, he proclaims "When I saw you dance the tarantella, like a huntress, a temptress, my blood
Yet at the same time, they both hide secrets that are very secretly kept but little by little begin to seep out. But perhaps somewhere in the middle would seem a little simpler than a total stereotype as Blanche, Nora and Stella are. In A Streetcar Named Desire, Williams creates two sisters who each clearly portray a stereotype. The torment seems so clear and vivid to Blanche, and it kills her to know that her sister sees nothing wrong with her condition, that it's just the way it is. grew hot, I couldn't stand it any longer"(1530), showing how he is more interested in Nora physically than emotionally. On the rare occasion when Torvald gives Nora some money, he is concerned that she will waste it on candy and pastry. But the art of knowing where to find and when to draw that line is to understand what can and should be rectified, and what things in life are constant and truly are-not just a jaded justification-meant to be left as it is. To understand the character of Stella, one must realize that she is a definite character with no real hidden truths. Nora's duties, in general, are restricted to caring for the children, doing housework, and working on her needlepoint. Enter Blanche, right from the traditional Southern past, to attempt some sort of a rescue. At the same time, Nora can be easily compared to the phony and money driven Blanche. Nora describes her feelings as "always merry, never happy. Drawing a line between speaking up and keeping quiet on a matter is a completely gray area, relative to the person and the given situation. Both male superiority figures not only denied her the right to think and act the way she wished, but limited her happiness. Stella is a meek person and allows Stanley do to as he pleases-even if it is severely detrimental-so long as it wouldn't produce a heated situation.
Common topics in this essay:
Enter Blanche,
Maybe Blanche,
Torvald Nora,
Nora Krogstad,
Torvald Torvald,
Stella Drawing,
Torvald Aren't,
Henrik Ibsen,
Desire Williams,
South Blanche,
torvald nora,
blanche traditional,
physically emotionally,
named desire,
nora's duties,
streetcar named desire,
streetcar named,
nora money,
throughout stories,
|
Acceptance Essays
