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Championing Feminism

Championing Feminism: The Role of Interracial Sexual Relationships inWhen one attempts to visualize the consuetudinary usage of interracial sexual relationships in Caribbean literature, it is quite commonplace to envisage Atlantean male slaves succumbing to the every whimsical desire of their female masters. What becomes clearly evident in both Octavia Butler's Kindred and Maryse Conde's I, Tituba, Black Witch of Salem is the complete reversal of the this aforementioned stereotype. Both Butler and Conde deftly illustrate interracial sexual relationships that involve woman protagonists dealing with a myriad of trials and tribulations stemming directly or indirectly from such unconventional associations. Upon stringently critiquing the precise usage of these relationships each female protagonist finds herself encumbered within, it becomes evident that there lies a plethora of stark differences concerning the motives, intentions, and means in which the given authors ultimately strive to portray through these interracial sexual relationships. Hence, the representations of interracial sexual relationships within these novels are introduced for indubi


As aforementioned, this inclusion of female interracial relationships is indeed rare in Caribbean literature. ) This metamorphosis that Kevin undergoes while living in the antebellum south, at one point for approximately 5 years, serves not only to deconstruct Dana's primary conception of her husband but also doubt if he is the same man she married years. Conde, though, would argue that her inclusion of the Benjamin was based purely on the parallel of persecution, and had little to do with relationship. ) As is now clearly evident, the primary motive behind Butler's inclusion of interracial sexual relationships within Kindred is to complicate the life of the protagonist, Dana. In Conde's work, the black female protagonist is Tituba, a marvelously gifted soul from the Caribbean island of Barbados. Within Rufus lies a conflict of monumental proportions, a conflict that opposes the pure essence of love against his innate and tainted hierarchical sense of servitude in which he stands atop the zenith as the master.

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