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As in many other movies, Kubrick names the main characters with a purpose. Bill and Alice are such everyday names, for everyday people. By naming them with such ordinary names, he is comparing them to the viewer. He follows up on this idea when Bill goes to Somerton and he zooms in on the security camera on the building. Instead of the security camera watching Bill, it’s as if it’s watching the camera, or the audience.
Kubrick strategically places the color red in places where Bill is “giving in” to some
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Kubrick uses much symbolism throughout the movie to show the emptiness within society. Kubrick also used death as a way to show emptiness. On his deathbed, Nathonson appears to be sleeping and is in a room that has African masks all over the walls. In Dominoe’s apartment, Bill “wears” a mask, as he stops being the loving husband, and tries to re-establish his masculinity by having emotionless sex. Each place is like a warning for Bill to turn back, but he continued on. Like a mask, a dead person’s face is expressionless. At Somerton, the masks allow the people shed all morality, and give into their physical desires. They lose their identity, and become nameless, empty individuals.
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