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Paul Laurence Dunbar

Paul Laurence Dunbar’s Past Had a Lasting Effect on his Future

Paul Laurence Dunbar, the son of two former slaves, absorbed his mother’s wisdom and stories told by his father. As one of the last of a generation to interact with actual slaves, he was able to use his father’s story telling spirit and mother’s wisdom to depict the life experiences of African Americans.

Paul Laurence Dunbar was born on June 27, 1872 to Joshua Dunbar and Matilda Murphy Dunbar in Dayton, Ohio. He was taught to read wisdom. He also took in the stories told by his father, Joshua Dunbar, who escaped from enslavement in Kentucky and served in the Massachusetts 55th Regiment during the Civil War. Paul Laurence Dunbar was never enslaved, he was one of the last of a generation to have ongoing contact with those had been. Dunbar was steeped in the oral tradition during his formative years and he would go on to become a powerful interpreter of the African American folk experience in literature and song. The only African American in his Dayton, Ohio Central High School class, young Paul already showed literacy talent. He was named class poet, president of the literacy society, and editor-in-chief of the school newspaper. Although he couldn’t afford to co

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More than two decades later, James Weldon Johnson called him the first true African-American master of writing and recognized him as the first to earn and keep high honors for what he wrote (1922, p.

We wear the mask that grins and lies,

It hides our cheeks and shades our eyes,--

With torn and bleeding hearts we smile,

And mouth with myriad subtleties. During his life-time, this poetry was praised widely among both European Americans and African Americans. In "When Malindy Sings," a poem written as a tribute to Dunbar's mother, Matilda, the dialect narrator addresses Miss Lucy. That year, he and his wife Alice separated. Afterward, Dunbar was widely recognized as the first important African-American poet, and according to Mabel Smythe (1976, p. (Hudson)

In Paul Laurence Dunbar’s poem, “We Wear the Mask”, he appears to have spoken from the heart. Toby helped his distribute Oak and Ivy and sent him money from time to time. On the other hand, poets Countee Cullen and Langston Hughes publicly admired and emulated Dunbar. ”

In the third verse, the race cries and even sings out to Christ in pain, but “the world dream (s) otherwise,” unaware of the black man’s struggle for equality in the world and for peace within. When Tattler folded, Dunbar sought jobs with local newspapers, but not one was willing to hire an African American, regardless of his talent. 48), he had a greater impact than any other African-American writer of his time. Toby and Thatcher then collaborated in helping Dunbar to publish in 1895.

Approximate Word count = 1878
Approximate Pages = 8 (250 words per page double spaced)

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