Toni Morrison's
Inherent to human nature and their morals, are dualities, such as good and bad, in a character which produces all the emotions, experiences, and forces that motivates an individual to overcome the struggles of life. One, without the other, will not suffice in its existence. Consequently, only the combination of both characteristics will succeed in constructing a solid identity. Such is the case in Toni Morrison's "Sula".Throughout the progression of the plot, Nel and Sula complemented each other in such a way that allowed them to form a single functional unit. Therefore, only with Sula's aide was Nel able to surpass the restrictions that her mother placed on her. Contrary to the statement that "Sula was the worst thing that ever happened to Nel," Sula did not corrupt Nel, but rather, assisted her in gaining the freedom that she craved. While Nel was desperately trying to fulfill the desire of being her true self, Sula was searching for "something else to be" (Morrison 52). In the process of their coinciding pursuits, Nel and Sula discovered that they provided for each other the missing fractions of their identity. By themselves, Sula and Nel appeared to be polar opposites of one anoth
Indeed, "she had gone on a real trip, and now she was different" (Morrison 28). While Sula was searching for the sense and morality that being "wedged into a household of throbbing disorder and constant awry" (Morrison 52) did not provide her, Nel was desperately trying to escape the confines of "the high silence of her mother's incredibly orderly house" (Morrison 51). Being versatile and capable of all sides of the spectrum, like the extremes of Nel and Sula, is the only way of survival. "A soft ball of fur broke and scattered like dandelion spores in the breeze. Based on the fact that "Sula, like always, was incapable of making any but the most trivial decisions" (Morrison 101), Nel seemed to be frequently consoling her and giving her the best advice she could offer. As a result, the bond they shared became so intoxicating that it still drew them together after years of separation and distraction. Nel asked herself, "'why didn't I feel bad when it happened? How come it felt so good to see him fall?'" (Morrison170). In her account of Chicken Little's death, she discovered her own hidden "evil" desires. Apart, Nel and Sula blend into extremes that deter them from the path which could strengthen them through life. That fusing of their disposition constituted their idea of friendship. Her grief was symbolized by "a ball of muddy strings, but without weight, fluffy but terrible in its malevolence" (Morrison 109). Therefore, the combination of the two characters is the perfect underlying understanding of both each other as a unit and their own individual personalities separately. In accordance to the event, Nel explains, "and I did not know how to move my feet or fix my eyes or what.
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Acceptance Essays
