Marnie can be said to be at the forefront of pioneering a psychological thriller. Many of Hitchcock’s films deal with a similar aspect, but none require the viewer to pay the amount of attention that this film calls for. It is in patience and careful observation that one can begin to see the complex problems that plague Marnie every day of her life. In this observation that re can find repeating symbols such as color and animals. It is these symbols, which fuels her deceptive lifestyle ultimately leading to her breakdown, and with that breakdown letting decades of frustration and anguish as well.
Color, in this film, is a direct indicator of what Marnie feels at the moment of whatever is going on. Two colors stand out as prominent, these being yellow and red. At the beginning of the film, we see Marnie’s bag contrasting greatly with its surroundings at the train station. Accompanying the suitcase, the pencils and paper in the combination drawer are yellow as well as Mark’s sleepwear. Though these do ring important, the fact that Marnie’s hair color is blonde is a major indication of what importance this color has on not only her world but the how the viewer sees her as well. As her identities change, so
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The warped sense of love is represented here, but also in the marriage of Mark to Marnie. Because of this, the touch of a man has never been a key part of Marnie’s life, looking them as sickening low life. It is as if subconsciously she knows she’s in trouble or close to it, but cannot break out of the life she lives. Marnie to Mark is another specimen in his reports concerning Zoology, only this time it deals with a human. This is an emotionally charged, psychological thriller that grabs onto the most primitive of feelings in a viewer, but sometimes the most primitive feelings create the biggest impact. She goes hunting with Mark and his father, but quickly disappears with her horse, because she can not bear to see the actual killing of an animal, not to mention the red jacket that the leader wears. And as her horse dies, she disobeys not only the others but herself when she decides to kill it with her own hands, having the urge to kill come full force. It is here where Hitchcock makes good use of POV, letting us experience what it is like to be Marnie at the time of her spasm. Again, we are struck with color as the lightning strikes during the storm while Marnie is working overtime for Mark at Rutland’s. Now Hitchcock gives us that chance to feel what emotional turmoil is like. The mother’s determination to save Marnie leaves her to be beaten until Marnie bludgeons the man with a red-hot fire poker, watching the man slowly die in front of her. And with Marnie, Hitchcock successfully accomplishes what he set out to do. Not only the idea of the film in general, but more specifically his viewing of a part of himself in the film as well. And as the viewer begins to find out why Marnie is bothered so greatly, they also realize the warning signals that Marnie might not see. It is not based on love, but the determination to force repressed emotions out of another at his benefit.
Approximate Word count =
1024
Approximate Pages =
4 (250 words per page double spaced)
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