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Northern/Italian Renaissance

Northern Vs. Italian Renaissance Art The characteristics of art that seem the most prevalent during the Renaissance are Classical Revival (going back to Greek and Roman times for subject matter and inspiration), Humanism (the idea that humans are focus), Window of Nature (the idea of including nature in the pieces), Syncretism (including Greek and Roman mythology and/or characteristics in Renaissance art), Cult of Beauty (Plato's notion of ideal beauty and love), Empiricism (making the work look as real as possible), Individualism (individuals are important, and become a focus of art), and Idealism (humans and religious figures are painted in their most ideal form). Raphael's fresco The School of Athens and Brueghel's oil painting The Wedding Dance. Although both pieces contain the characterizing elements of Renaissance art, they are different in many Raphael's fresco stands 26 feet by 18 feet and is a model of Italian Renaissance art, containing obvious examples of each of the components of Renaissance art. The School of Athens is a prime model of the Classic Revival. The school portrayed is a school of philosophy in ancient Athens. The people are wearing Gree


He uses the technique of "chario scuro" (light against dark) more effectively than Raphael. Raphael, including triangles, circles and rectangles, uses many geometric shapes in his painting. Individuality can be seen in the painting. Raphael has put a tremendous amount of detail into the faces/expressions and the way the fabric falls on the people. These gaps serve as a pathway for the viewer's eyes to move about the piece. The colors used are very soft, making the scene very calm and giving it a sense of harmony. Brueghel seems unfascinated by the ideas of the Classic Revival and the Syncretism of those ides into his artwork. The fresco can be cut directly down the center, between the heads of Aristotle and Plato (or Leonardo) and divided completely in half. The influence of Roman and Greek ideas are not as prevalent in this piece. This can be translated as Empiricism. The earthly tones used in the scenery and for the people create a symbolic harmony between humans and nature. Raphael has painted great people Renaissance acting their best in what he believes is their ideal form: as Greeks. Each person shown appears to have his or her own personality and reason for being present. The identities of the great Renaissance artists/scientists have been superimposed into the identities of Ancient Greek philosophers. Also, the scattered use of the color red creates movement.

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Beauty Brueghel, School Athens, Italian Renaissance, Italy Raphael, Classic Revival, Nature Brueghel, Plato Raphael, Raphael Individuality, Humanism Individualism, Wedding Dance, renaissance art, italian renaissance, school athens, renaissance artists, aristotle plato, window nature, oil painting wedding, arches background, raphael's fresco, classic revival, heads aristotle plato, ideal form, italian renaissance art, italian renaissance artists, brueghel's oil painting,

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