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Northern/Italian Renaissance

Northern Vs. Italian Renaissance Art

The characteristics of art that seem the most prevalent during the

Renaissance are Classical Revival (going back to Greek and Roman times

for subject matter and inspiration), Humanism (the idea that humans are

focus), Window of Nature (the idea of including nature in the pieces),

Syncretism (including Greek and Roman mythology and/or characteristics

in Renaissance art), Cult of Beauty (Plato's notion of ideal beauty and

love), Empiricism (making the work look as real as possible),

Individualism (individuals are important, and become a focus of art),

and Idealism (humans and religious figures are painted in their most

ideal form). Raphael's fresco The School of Athens and Brueghel's oil

painting The Wedding Dance. Although both pieces contain the

characterizing elements of Renaissance art, they are different in many

Raphael's fresco stands 26 feet by 18 feet and is a model of Italian

Renaissance art, containing obvious examples of each of the components

of Renaissance art. The School of Athens is a prime model of the

Classic Revival. The school portrayed is a school of philosophy in

ancient Athens. The people are wearing Gree

. . .

He uses the technique of "chario scuro" (light against dark) more

effectively than Raphael. Raphael, including triangles, circles and rectangles,

uses many geometric shapes in his painting. Individuality can be seen in the painting. Raphael has

put a tremendous amount of detail into the faces/expressions and the

way the fabric falls on the people. These

gaps serve as a pathway for the viewer's eyes to move about the piece. The

colors used are very soft, making the scene very calm and giving it a

sense of harmony.

Brueghel seems unfascinated by the ideas of the Classic Revival and the

Syncretism of those ides into his artwork.

The fresco can be cut directly down the center, between the heads of

Aristotle and Plato (or Leonardo) and divided completely in half. The

influence of Roman and Greek ideas are not as prevalent in this piece. This can be translated as

Empiricism. The earthly tones used in the scenery

and for the people create a symbolic harmony between humans and nature. Raphael has painted great people Renaissance acting their

best in what he believes is their ideal form: as Greeks. Each

person shown appears to have his or her own personality and reason for

being present. The identities of the great

Renaissance artists/scientists have been superimposed into the

identities of Ancient Greek philosophers. Also, the scattered use of the color red

creates movement.

Approximate Word count = 1209
Approximate Pages = 5 (250 words per page double spaced)

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