When making a decision to view a movie, read a book, or indulge in a scholar’s critique and perception of a work of art, what is it that drives one to make that verdict? The decision could be one based off a recommendation, however, most explore these activities in order to let their imagination flare and explore a brave new world. In William Shakespeare’s play called The Tempest, so many elements are left to the imagination. It is the job of the reader to take Shakespeare’s description of the setting and the characters, and completely bring them to life in one’s mind. Now when one wants to look at something in depth, the individual will turn to secondary sources about the subject. These allow the audience to read between the lines, and observe details and interesting facts not apparent at first sight. This paper is about how two essays by scholars of Shakespeare (Dabydeen and Coursen) changed or altered my perception of Caliban and Prospero in The Tempest.
The first essay that I will be referencing to the play is one by David Dabydeen. It is entitled Hogarth and the Canecutter. This essay explores how William Hogarth’s painting a “Scene from the Tempest” gives the reader a better u
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This was an exciting description to read. He can only provide an opportunity or occasion but not legislate or guarantee a result” (Coursen 108). Prospero realizes that his world that he created for Miranda cannot go on forever, and he has to turn them loose into nature, with the bond of love to hold them together. Prospero is mean and vulgar when he doesn’t get his way. All of these things that Coursen explains differ slightly from my initial evaluation of Prospero. It gave me a completely new understanding on what Caliban was and looked like. Dabydeen is explaining that Hogarth has done countless depictions of characters of plays, but none seem to be so accurate and on point as “A Scene from the Tempest. David Dabydeen’s essay called Hogarth and the Canecutter brings Caliban to life in a different way, and explores Caliban’s most inner thoughts. These two essays by Dabydeen and Coursen have truly reshaped my perception of these two characters while at the same time allowing me to become more familiar with the play and what it stands for. It is very apparent that Prospero abuses this creature, and uses him as a slave. All these evaluations by Dabydeen expand my insight of this fascinating creature named Caliban. Coursen emphasizes the fact that magic is given up after the play, and that the ending is one that is real. I only obtained a few things about Caliban from reading William Shakespeare’s the Tempest. He was one of the first people on the island, even before Prospero came along.
Approximate Word count =
1566
Approximate Pages =
6 (250 words per page double spaced)
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