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Near the end of the novel, where Paul is in his mid-twenties, he looks back on his transformation from a spoiled, self-indulged adolescent, to a more compassionate and more knowledgeable adult. He realizes, through his own suffering and Keller’s influence, that his talents are not good enough to earn him a career as a concert pianist. Paul’s personality changes throughout the text. Thanks to what Herr Keller taught him, not only about music but ones self.
At the start Paul is corrupted by pride and the idea that he is great, almost perfect even. This self-satisfaction does wonders to boost his ego, as he predicts instant fame and fortune will come to him. When he first meets Keller, he acts
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In Paul’s eyes, Keller probably insulted him more than he did inspire, so he uses him as a scapegoat for all his problems. His remarkable teacher, though he treats him with contempt at various points, he does take from him the appropriate values, which shapes him as a person. One of the things Paul seems to learn from Keller in the end is that there is tragedy, but there is also cause for celebration.
Keller teaches this to Paul, who learns that life is not simple, but complicated. Paul does not appreciate it when the old man honestly points out his true arrogant nature, but Keller does this not to harm Paul but on the contrary to help him. Keller blamed himself for losing them, because like Paul, he also had too much pride, and thought nothing would harm the family of the man ‘who played for Hitler’. He offered words of insight and once asked him, “What is the difference between good and great pianists?” And Paul answers himself with, “Not much, just a little”. This eventually awakens to his truth.
Paul gains maturity and better understands himself through the presence of Paul’s role model.
For years, Keller had been trying to teach Paul not to expect too much.
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