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A Weaker God

Oxford's English Dictionary defines god as “1. A being conceived as the perfect, omnipotent, omniscient ruler and originator of the universe, the principal object of faith and worship in monotheist religions. 2. A being of supernatural powers, believed in and worshipped by a people.” The first definition reflects Modern America’s connotation of the word god. The latter recalls the Ancient Greco-Sumerian ideal of a being greater than man. While both definitions are equally valid in literature, many perceive the word only in the first view. However, the Iliad, the Odyssey, and the Epic of Gilgamesh portray gods with limits and weaknesses. The contemporary Christian god is able to demand things of his followers, readily expecting wholehearted and unquestioning obedience. This was not the case with his ancient counterparts. Rather than exacting demands upon their followers, occasionally the ancient gods were limited to requests. Often they were refused. In the Odyssey, the goddesses Circe and Calypso both expected lifelong commitments from the mighty Odysseus. Both promised great things to the hero, including godhood. Odysseus was able to refuse both goddesses. Human obstinacy beat out the whims of goddesses. If the Protestant god wer

. . .
And if some god batters me far out on the wide blue water, I will endure it, keeping a stubborn spirit within me, for I have already suffered much (93-94). In the beginning of the epic, the gods sought to control and/or destroy Gilgamesh by creating an antihero to defeat him. When Aphrodite stepped in his way, he stabbed the goddess, and she fled to Olympus in order to cry on her mother’s lap: “Oh my wound! Diomedes hit me! that(sic) bully! because(sic) I was trying to save my own son Aineias, my darling favourite! This war of the Trojans has become a war of Achaians against gods (64)!” In response, her mother, Dione speaks of past things humans have done to the Olympians: “Make the best of it my love. He sent waves to alter the course of the her and many times attempted to dash the hero against the rocks or drown him. Consequently, the war continued to drag on. [had not] Hermes stole him away, when he was already in great distress from his cruel prison (65). One could argue, though, that Odysseus did give in to the goddesses by bedding them. A major weakness of the pantheist structure was the discord among the gods. The very premise of the Epic of Gilgamesh involved a hero who nearly equaled the gods. When Poseidon sent Odysseus’ ship in the wrong direction, Aeoleus gave the hero a bag which encaptured every counterproductive wind. Sometimes the gods only wanted honest opinions from the humans. The realized that the gods were not all-powerful. When Odysseus fell into the sea after departing from Calypso’s island, Ino, a sea nymph, gave him an enchanted scarf to aid his directional sense. Zeus fell to slumber, and the gods were able to further influence the war. Eventually, Zeus, the s trongest god, put a stop to the intervention.

Common topics in this essay:
Epic Gilgamesh, Athena Aphrodite, Circe Calypso, Otos Ephialtes, Homers Odyssey, Odyssey Poseidon, Trojans Aphrodite, English Dictionary, Christianity Humans, Sumerians Homer, christian god, epic gilgamesh, ancient gods, demands followers, shepherd paris, odysseus able, ant-like humans, god saved, contemporary christian god, contemporary christian,

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