Eternal Springtime
Auguste Rodin's sculpture Eternal Springtime is a perfect example of a neo classical piece of art. Rodin, a French artist, created the piece in the late 1800's out of painted plaster, which stands roughly twenty six inches high. The sculpture is comprised of two lovers passionately intertwined in each other arms, wrapped in an everlasting embrace. Similar in earlier holistic Greek sculpture, the two lovers are exaggerated in their passion for each other, thus forming a dynamic composition. The god-like male figure dominates the composition as he forcibly kisses the woman passionately; the woman, in turn, submits to his kiss and succumbs to her innermost desires. The movement of the sculpture suggests that the artist wants to place emphasis on the physical aspect between the two lovers. The male figure is supporting the female physical by curling his arm behind her back, how ever this might also fit into the stereo type of that time. Men were the bread winners and they supported the women, who were view as inferior to males in the public's eye. Therefore, it was typical that paintings and sculptures depicted the male as dominant figure, to support the women as well as protect them. Where as the women were more less
This epic story of internal emotions intertwining with physical sensations is eternal and will live on throughout time. The artist has also taken the liberty of placing the two models in a position where the entire chess visible for both the male and the female figure, and the most obvious would be to say that both of the lovers are kissing. He has shown many ways of how sculpture can show balance, harmony, repetition through number sequences, proportion, and passion. The two lovers are perfectly positioned and have the ideal flawless body structure that was also used to portray Greek gods. All of the there body parts are in proportion to one another. For example: the sculpture shows both of the male figure's legs, in turn the artist has also found a way to reveal both legs of the female figure as well, as mentioned before the male figure has one arm wrapped around the female and one had free, and the female has one arm wrapped around the male with one arm free. It is much like how a photograph might capture a certain period in time, the same is happening with the sculpture. The male figure cups his arm around the back of the women figure, while leaving his left arm to balance, while the female lays her left arm around the male figure and leaves her right arm to balance. The positioning is an important factor in determining if the piece is neo classical or not, because they are place in such away as to give the impression that it is the most passionate moment between the two. Except instead of just capturing a period of time Rodin has managed to capture a lot more. The male is slightly bigger and more masculine, while the lady is molded with a softer tender feminine look of that era. Though the two figures are not clothed in Greek dresses or togas it is evident that references have been made back to images of Greek gods. Some ways of doing this would be to have repetition of certain number sequences, or to make things seem symmetrical in a certain aspect.
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