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History of Jazz

Improvisational. Creative. Mischievous. Genius. Exciting. Unique. These are all words used to describe one of the most invigorating, influential and provoking genres of our time, Jazz. Jazz evokes human emotion in an array of different ways more so than another genre of the pre-fifties generation of music. Jazz can be upbeat, or sultry, fun or serious. This is due to the fact, that Jazz is the melting pot of elements of Ragtime, Blues, and marching band sounds.

All that jazz actually began in the late 19th century down in New Orleans. This new sound that grabbed elements from the Blues and Ragtime, among other influences, and was most notable one of the most unique and intricate forms of music that anyone had ever heard. What made Jazz such a unique and interesting tour de force was its prevalent use of improvisation. This was the first time a genre bent the western musical archetype, and yet strangely it felt completely natural, more so than the premeditated music of the time. In the old formula, a composer wrote a song and the instrumentalists played it exactly as written, but with Jazz a group of musicians used the composed piece as a mere starting point from which to

. . .
Even Blues great Bessie Smith, attributes her success to Jazz she, “combined the emotional fervor of country blues with the vigorous appeal of Jazz…Smith performed with some of the great Jazz bands of the era, including those of Louis Armstrong and Fletcher Henderson. Just as Jazz seemed to fit comfortably into the Chicago mold, suddenly jazz found a new popularity and home in New York. Jazz has maintained its appealing entreaty with three main characteristics, “Swing, individual code, and its ecstatic function. ” These musicians became better known and increased the complexity and dynamic of the music of their predecessors.

Jazz created a vibe that thrilled audiences and thrived with spontaneity. This is when white “Jazz” musicians began adding the traditionally rebellious Jazz scores of black artists to their repertoires. Unfortunately Oliver’s conservative views on Jazz became the group’s downfall, and while he focused on New Orleans tradition, Jazz was expanding and growing in Chicago and New York. Fletcher Henderson started a band with Coleman Hawkins and Don Redman, and had a moderate success at the famous Cotton Club.

In early twenties New York, Louis Armstrong was not the only legend in the making, but also Duke Ellington made his move to New York form Washington DC as a composer. The first “real” Jazz musician is considered to be Buddy Bolden, a cornet player.

It wasn’t until the Original Dixieland Jazz Band, that Jazz came to the forefront. It was not until they recruited the legend Louis Armstrong from the Chicago Jazz scene that Fletcher’s band reached new heights. But, “Patterns of racial exclusion in the recording industry and, later, in broadcast radio, skewed public perceptions of Jazz even more…Similarly, with few exceptions, radio broadcasters excluded black performers as a matter of policy. From the traditional New Orleans Jazz came, Dixieland and Chicago Jazz.

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