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The popularity of Marshall Mathers III, a.k.a. Eminem, in today’s rap culture is undeniable; with his Marshall Mathers LP selling 1.76 million copies in its first week after release and The Eminem Show selling 285,000 copies on its first day. (mtv.com) Since his entry into a predominately African-American art form, Eminem has been thrust into the spotlight, and has done more than just live up to expectations, gaining countless loyal fans and even more bitter enemies along the way. Among the enemies is Raymond “Benzino” Scott, a rapper and co-owner of The Source, the largest Hip-Hop magazine in the country. Recently, Benzino released a song aimed to attack Eminem, entitled “Pull Your Skirt Up.” The lyrics attacked Eminem’s race, along with his street credibility and skill as a rapper. Eminem wasted no time answering back, releasing “The Sauce,” an attack at the magazine and Benzino, in which he states that he did not start the battle, but he “will finish it;” furthermore “Nail in The Coffin,” an attack aimed solely at Benzino, takes shots at his age, business practices, and promotion of his nine year old son’s rap career. While Benzino insists that his opinion in no way reflect
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A major argument by Raymond Scott and his supporters is that Eminem is a counterfeit; that he does not represent the streets or hard times that hip-hop came from. When he did prove himself, the attention remained, because it was well deserved. His shift into mainstream rap came after finishing second in the Rap Olympics, an annual competition for unsigned artists, where Hip-Hop mogul Dr. ” Its lyrics call for the death of both Eminem and his daughter. He was the first Black man to play major league baseball, and received massive amounts of attention prior to proving himself on the field. It is clear that Marshall Mathers’s life has not been one of glamour and glitz, and that he has worked hard to earn the respect of his peers in the music industry. He was not well received in the beginning of his career, but continued sending demo tapes to record labels until he finally broke through into the world of underground rap. s the opinion of the magazine, every issue since the beginning of this feud has included at least one article aimed to attack either Eminem or another artist on his record label, Shady Records. The magazine has also begun to print a comic strip in every issue that illustrates the “evil powers” that have taken over rap (Eminem, Shady Records, and Dr. It is extremely easy to question the motives behind Scott’s attack. Upon examination, it is clear that Eminem has earned his stripes, and that the attacks on his place in hip-hop are not based on concern for the state of Black culture, but are attempts by lesser known rappers and radical activists to capitalize on his fame by being associated with him or anyone else on his label. ” The Source insists that Eminem is a cancer to rap and to the Black community. ) And the good forces (black rap artists) are fighting back to take over what is “rightfully theirs.
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