Claude Monet
In comparing the ideality of art and the actual artifact, we will find that the results will normally vary widely according to the eye of the beholder. To impose judgment of whether a painting can achieve the status of ideal form, one must first understand the purpose behind of the piece of art. Art is a human effort to express internal visions into a physical form so that these visions may have an external outlet. Naturally, the painting is ultimately a reflection of the artist’s mental image. It would be nearly impossible to fully comprehend the intricacies of the artist's imagination that compel him to create such a work of art. Therefore, the only person suited to impose judgment upon the ideality of a piece of art is the artist himself. There was a lot of controversy over the ideality of art in the Impressionist period of the late 19th century, especially in France. Claude Monet is notorious for stirring up much of this controversy with his Impressionist works. Motivated by their discontent against traditional artistic conceptions, Monet along with colleagues pushed towards a new form of art; Impressionism. They first went against The Salon, a French state-sponsored art exhibition that of . . .
With this work, Monet uses warm elements to express feelings of independence and relaxation. Along the cluster of tall green trees surrounding the home, your view begins outstretching to the right like an arm and interrupted by a grabbing site of a tall brick building. The positioning of these boats creates an asymmetrical balance to the whole scene. However, Monet bestows a perfect combination of character and setting by tying in the color of the sailboats to the building and bridge, as they stand out amongst the water and trees, are echoed to form and color creating harmony like a strummed chord on a harp in the warm beige and orange tones. Another element Monet uses to achieve balance was the optical innovation of color. Contrasting to that, Monet paints the boats, buildings, and bridge with seemingly fluid strokes in part to be a highlight as still objects amongst the moveable water again achieving balance and symmetry. It changes the very nature of the way people think about art. Afterwards, you are taken to the shore to view a three-story house just hidden among the line of tall trees like a secret hideaway. We can imagine Monet creating this painting amid a fresh, airy summer afternoon on a lonely embankment of a river. Looking back, we can see that Impressionism is more than just a departure; it helps redefine the ideality of art. Unhampered by traditional rules, Monet painted Il Pont d'Argenteuil according to his initial sensory reaction with perfect composition; rather than painting what is considered the idealization of a setting, Monet captures a fleeting moment in the sunlight of the scene (Thomson). fers opportunities for artists of that time to display and sell their work if and only if the painting is conservative in illustrating traditional subjects that are theatrical, monumental, and true to form. Furthermore, Monet reflects his own feelings using asymmetrical attributes to accomplish a balanced painting. With the site of three large pillars and tunnels beneath it you get the same feeling of desolate seclusion and mystery of what lies beyond.
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