Goodfellas
Martin Scorcese, a realist, made Goodfellas based on a story about Henry Hill. This film was carefully and beautifully done to preserve much truth in it. Through this film, we could walk through the same lane as the mobsters did and understanding what they were going through. Mobsters were often thought as ‘bad company’. They had a worldwide labeled as ruthless, vicious and notorious crime organizations. But we often misunderstood and overlooked the reasons why these guys join the mobs. In this film, we learn about Henry Hill and how his life came crashing down due to . . .
Scorcese did not hide any truth in this film and he showed with much violence. The narration in Goodfellas merely help us to understand the each character better. In using these images, audience would get a better understanding of the consequences of being in a mafia group or worst, betraying their trust. Long shots used for the scene at the bar where Henry introduced the audience to all his friends. We know who they are and how they are associated to Henry within one long shot. We started off into his childhood as he narrates his story. The use of non-linear editing was clearly shown. Violence in Film Goodfellas was brilliantly done and successfully portrayed the beauty and darker side of a mafia world. He did not just chunk in oldies songs into the film but instead he made the songs flow smoothly throughout the film. Martin Scorcese used inventive camera works to enhance the visuals of this film. his negligence in upholding the mafia rules and his greeds. The narration in the movie is really effective at making audiences feel as though they are experiencing a world that few people can see without being on the inside of a gang themselves. The narration did not guide us through the story unlike ‘Casablanca’ which we depended more on narration instead of the characters presence.
Common topics in this essay:
Henry Hill, Martin Scorcese, Film Goodfellas, Elements Goodfellas, henry hill, martin scorcese, truth film, film violence, story henry, |